Monthly Archive for July, 2008

Page 3 of 4

Photos: In the Land of Retinal Delights at the Laguna Art Museum in O.C.

In the Land of Retinal Delights
Land of Retinal Stimulation: Mark Ryden’s The Creatrix is the painting at center, with Carlee Fernandez’s Buffalo-7200 in the foreground. (Photos by C-M.)

If you took a little Hieronymus Bosch, added a dash of R. Crumb, a pinch of California car culture, and folded in a heaping stack of late-night sci-fi, you’d end up with the Laguna Art Museum’s latest show, In the Land of Retinal Delights: The Juxtapoz Factor. This all-encompassing two-story survey takes a look at the fast-rising genres of pop surrealism, lowbrow and street art/graffiti as covered by Juxtapoz mag since its founding by painter Robert Williams in 1994. Featuring the work of 150 artists (including some fake dookies by Paul McCarthy), it’s an apocalyptic vision of America’s pop culture sausage factory turned inside out, revealing lots of gory, nasty innards.

The show is up through October 5th.

Click on images to supersize. More after the jump.

Continue reading ‘Photos: In the Land of Retinal Delights at the Laguna Art Museum in O.C.’

Calendar. 07.10.08.

Elrod House by John Lautner
The Arthur Elrod House in Palm Springs, designed by architect John Lautner in 1968. (Photo by theorem.)

Posted by C-Monster.

The Digest. 07.10.08.

Carl Hammoud
Population, 2008, a painting by Carl Hammoud. (Via Eclectic Cow.)

Posted by C-Monster.

Photos: Greg Lynn’s Blobwall at SCI-Arc in L.A.

Greg Lynn's Blobwall
The Blob as a wall. (Photos by C-M.)

Bricks: they’re those heavy, rectangular prisms that you stack, one on top of the other, to make offices and mini-malls and parking garages. Or are they? Architect Greg Lynn of FORM gives them a serious makeover in his supercool Blobwall Pavilion at SCI-Arc’s gallery in downtown L.A. His reinvented bricks are hollow and made of recyclable polymer, stacked together to produce what amounts to one kick-ass, blobby-looking structure. Get over to see the installation ASAP (the show is only up through this weekend), because this fall, the pavilion is gonna be shipped to Italy for the Venice Biennale.

Here are directions to SCI-Arc. Helpful tip: the “entrance” to the building is around the back. You’d think a structure filled with architects would think to note this somewhere out front, but this little detail seems to have eluded everyone’s attention. Or is making people walk up and down a very long block in search of an open door some new avant-garde architectural thing I don’t know about?

More after the jump. Click on images to supersize.

Continue reading ‘Photos: Greg Lynn’s Blobwall at SCI-Arc in L.A.’

The Digest. 07.09.08.

Peter Saul @ OCMA
Detail of Superman and Superdog in Jail, 1963, by Peter Saul, at the Orange County Museum of Art, through September 21st. Read the review in the L.A. Times. (FYI: The show isn’t all that. But Saul’s pieces from the early ’60s are definitely worth checking out.) (Photo by C-M.)

Posted by C-Monster.

Calendar. 07.08.08.

Jason Lujan
Fancy Dance Good Luck Lion at the National Museum of the American Indian in NYC. (Photo courtesy of Jason Lujan.)

Posted by C-Monster.

The Digest. 07.08.08.

Deuce Seven in Seattle
Deuce Seven in Seattle. See it large. Plus: the full set. (Photo by blvd_flicks.)

Posted by C-Monster.

Roman Architecture Redux: The O.C. Edition.

Roman Arches: O.C. Edition
The arches of Newport Coast: Big and bloated and serving no purpose whatsoever. Click here for scale.

Nothing heralds the end of a civilization better than some heavy-duty architectural pomposity. And in Orange County, Calif., where architecture marries the best traits of Vegas, with lots of Disney and a heavy dose of Caligula, there is no shortage of structures that say, The End is Near. Specifically, there are a whole lotta Roman-style arches, built in dimensions so mammoth, they can be appreciated from the cockpit of a Lincoln Navigator at speeds of 60 mph. In most cases, these monuments serve no function whatsoever, other than to let the citizenry know: “You are part of a civilization that is very important. At least for a few more minutes.”

After the jump, a tour of the biggest and the baddest.

* * *

On a side note of sublime ridiculosity:
In shooting this story, I was stopped by a security guard at an outdoor mall called the Irvine Spectrum (a place my friend Josh likes to refer to as the Irvine Rectum), who told me that I wasn’t allowed to take pictures of the buildings because the architecture was “copyrighted.” He even radioed his base to let his cohorts know that he had stopped “a single female” with a camera. For reals.

Roman Architecture Redux
Calling all units. There’s a C-Monster on the premises.

I tried to explain to him that taking pictures didn’t violate the buildings’ copyright. I told him that I covered architecture for a living. I even tried to explain to him that the buildings in question are actually a total rip-off of Roman and Moorish architectural styles and that there are probably a whole buncha Mediterranean master builders rolling around in their graves somewhere. But he wouldn’t have any of it. He just told me that his bosses (that would be the Irvine Company, purveyors of crap-ass urban planning) are very sensitive about having the architecture photographed and that I wouldn’t be allowed to take pictures of the buildings.

So, if you’re reading this post from somewhere in China, here’s a copy of the Irvine Rectum floor plan. Please get started on an exact replica as soon as you can.

Click on images to supersize. More after the jump.

Continue reading ‘Roman Architecture Redux: The O.C. Edition.’

The Digest. 07.07.08.

Stikman by Elisha Cook Jr.
Stikman, in NYC. (Photo by Elisha Cook Jr.)

Posted by C-Monster.

Artspeak pop quiz! Dia: Beacon edition.

Dia: Beacon
Dia you understand me? (Photo by ricksterbot.)

Roving correspondent Mlle. Connasse finds herself stateside this week, so she popped in for a day-long visit of the Dia: Beacon over the weekend, where she encountered some terrific artspeak while admiring the Beuys, the Smithsons and the Serras. She was so moved by the mind-boggling quality of the prose, that she couldn’t resist cabling in some of the more eye-crossing delights. The following bits refer to a single artist:

 

In each of his works, [the artist] relentlessly examined issues of similarity and difference, likeness and identity.

The recognition of the specificity of each element informs the viewer’s appreciation of the relation of the individual to the collective, of the singular entity to the larger series, and of repetition to order.

Anyone want to venture a guess on which artist the writer might be describing? Get the list of artists here. No cheating.

Posted by C-Monster.