Art for Stoners: L.A. museums edition.


Visual Molasses: A figure comes into focus very, very sloooowly in a Kevin Hanley video piece at MoCA. Hang around long enough and you’ll wonder if you’re seeing things. (Photos by C-M.)

Just because one L.A. museum is in the middle of a financial freefall doesn’t mean that there isn’t buzz-inducing art to be seen. At MoCA, in a corner of the Conceptualism in California show at the Geffen Contemporary there is a meltingly slow piece by Kevin Hanley, as well as a black-and-white, super-fast Bruce Conner number that has a total 2 a.m. music video kind of feel. Better yet: it’s comprised of three monitors. I coulda hung out there all afternoon.

Across town, at LACMA, there’s Chris Burden’s Urban Light installation. I know that this piece is far from new (it debuted in February), but I managed to spend a bit of time hanging out with this sculpture at dusk today and it was damn beautiful. The best part: anybody can wander around this thing, 24 hours a day. Perfect for a late-night hangout, especially if you’ve got a Slurpee in hand.


Eve Ray Forever, 1965-2006 by Bruce Conner. Quick cuts. Lots of nudity. Yeah.


Chris Burden’s Urban Light. Lampposts all in rows. Duuuude.

Late addition:

How could I forget? Marcel Duchamp’s Roto Relief: Optical Discs, at the Norton Simon. You are getting sleepy… On view through Dec. 8.

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