Monthly Archive for March, 2009

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Do not miss: Art of Two Germanys/Cold War Cultures at LACMA.


Detail of Nibelungen (Nibelung), a triptych by Lutz Dammbeck. (Image courtesy of LACMA.)

Take a culture. Fill it with the desire to build empire. Then put it through a vicious trench war. Follow this with a period of cultural openness and decadence. Afterwards, hand control over to a bunch of genocidal maniacs. Bomb it to a rubble. Divide it between East and West. Then put it back together. That, in an oversimplified nutshell, is the history of Germany in the 20th century. We are all familiar with the political implications of this back-and-forth. But what kind of art is produced by a nation that is built and destroyed and built again, each time in a somewhat different guise? The answer to that question lies in the jaw-dropping exhibit, The Art of Two Germanys/Cold War Cultures, at LACMA, in Los Angeles.

This sprawling show, curated by Stephanie Barron, covers 44 years of 20th century German history, from 1945-1989. It begins in the immediate aftermath of World War II, taking viewers through the eras of the Nuremberg trials, its Solomonic split, as well as the subsequent periods of tumult and soul-searching. There are artists famous (George Baselitz, Gerhard Richter, Martin Kippenberger, et al.) and unknown (Hermann Glockner) — many of them struggling to come to terms with who and what they represent. It is heart-breaking, appalling and totally edifying all at the same time.

This will be the exhibit’s only U.S. showing (it travels to Germany afterwards), so if you are anywhere near the L.A. area, it would be a crying shame to miss it. You’ve got ’til April 19.

As always, a few extras:

Because any Monday is better with a little Celia.

Mercy, Mlle. Connasse.

The Digest. 03.23.09.


A photo of a former prisoner named Hermanus. Part of the series Umjiegwana, of ex-prisoners in South Africa, by Mikhael Subotzky. (Image courtesy of Mikhael Subotzky. Thanks to Big Papi G for the heads up.)

Congrats to Greg from Tucson for winning the C-Mon Giveaway Extravaganza, IMA edition!

Father Guido Sarducci on being an artist.

Via Right Some Good.

The Digest. 03.20.09.


Mating Dogs from Colima, Mexico, 300 BC to AD 300, at the de Young, in S.F. (Photo by C-M.)

The C-Mon Q&A: ‘Guest of Cindy Sherman’ director Paul H-O.


Incisive Reportage: Gallery Beat host Paul H-O interviews Cindy Sherman. (Image courtesy of Guest of Cindy Sherman.)

In 1993, Paul H-O (short for Hasegawa-Overacker), along with a few comrades in arms, launched an arts-focused public access program in New York City called Gallery Beat. For 160 half-hour episodes, H-O and his esteemed colleagues — Walter Robinson, now of ArtNet, Spencer Tunick, of nekkid people fame, and Cathy Lebowitz, of Art in America — crash landed at gallery openings all over Manhattan, armed with nothing but a TV camera, a microphone and probing questions such as, What is it?  “Admittedly, half of those episodes are shit and should have never been made,” says H-O. “But there’s some great moments with people in galleries.” Including one with a lot of vagina.

H-O is working on putting the old shows online (a couple currently reside on YouTube), as well as resuscitating Gallery Beat for an internet audience. “There’s a recession going on, which means it’s time for me to come back,” he quips. His priority these days, however, is the theatrical release of his film, Guest of Cindy Sherman, which he co-directed with Tom Donohue, and which will premiere next week at Cinema Village in NYC and the Film Center in Santa Fe. The highly intriguing doc, which chronicles the rise and fall of Gallery Beat alongside the rise and fall of H-O’s romantic relationship with Sherman (expect to see rare footage of her at work), has been making its way through the festival circuit since last spring and is now set for a broad public airing. The footage of H-O & Co. at an early Vanessa Beecroft performance at Deitch is worth the price of admission alone.

To shill the flick, H-O proved willing to submit himself to our pat interrogation methods, revealing who he’d like to see in an artist girl-fight and why he thinks a tube sock and a tin can represent mankind.

C-M: What’s the biggest stereotype about art?
H-O: That tremendous macho attitude that someone like Picasso embodied. Martin Kippenberger established a certain style for himself that way, too. Then there’s Schnabel. People don’t think I like Julian Schnabel, but, in fact, I adore him. He’s given me great material. He is that larger-than-life figure. He adopts the attitude of being Picasso, and since he’s such a visible figure, Hollywood people see him and say, “Here’s an artist!”

Continue reading ‘The C-Mon Q&A: ‘Guest of Cindy Sherman’ director Paul H-O.’

Calendar. 03.19.09.


Affordable Housing, by Ross Jones. (Image courtesy of William Angel Gallery.)

The sublime point where sheep and LEDs intersect.

Via Juxtapoz.

The Digest. 03.19.09.


Eric and Jakie, part of Kissing the Ceiling, a 2008 photographic series by Fred Muram. (Image courtesy of Fred Muram.)

C-Mon Giveaway Extravaganza: Indianapolis Museum of Art edition.


Wholesome goodness. Except for the Twinkie. (Photo by C-M.)

The kind folks over at the Indianapolis Museum of Art were kind enough to send me a little gift pack for giveaway purposes, which includes an all-cotton Indy Museum T-Shirt (size L), a Rubik’s cube (special easy-to-solve version, courtesy of the IMA blog), as well as three super-cool mini-books — including one by David Hockney on Picasso (added to the package by my Twitter bud Richard McCoy). The package also comes with an invite to Artbabble.org, the museum’s new site dedicated to video content about art. (Right now it’s in the beta stage, so the only way to see it is to get an invite…)

Special bonus prize: Because this package was getting a little too wholesome and informative in its content, I’ve added a Twinkie, in honor of Pace Wildenstein’s Twinkie plate at the Armory Show, to the mix. It’s slightly deformed from having been carried around in my purse for a few days, but I can promise you that its taste, texture and chemical composition remain the same as always.

Leave a comment below to register for the drawing and this sensational package could be yours to keep!