Monthly Archive for July, 2009

Hydra Workshop: Where art parties and errant donkeys collide.


While the dead sleep, the crowd parties hearty outside. (Photos by Sebastian Puig.)

It must be summer, because the artsy jet-set and their Dolce & Gabbana sunglasses have materialized in abundance on the Greek Isle of Hydra, like the wild capers that grow from the cracks all over the island’s stone stairways. This past week’s super-event was the summer show at the Hydra Workshop, a waterfront art space that puts together an annual exhibit inspired by the collection of London-based art patron Pauline Karpidas, who flew in le tout New York (and demi-Dallas) for this year’s event. Co-curated by mega-gallerist Sadie Coles, the young artist featured this year was “bad boy” New York artiste Nate Lowman, who was in attendance with non other than petite amie Mary-Kate Olsen. (Coles’ hubby, fashion photographer Juergen Teller was also there — with nary a Marc Jacobs model in sight.)

The art this year was all about being self-referential: silk-screened portraits à-la-Warhol featured all the friends-of-Lowman crowding the Hydra waterfront (and saving everyone the trouble of having to look in the mirror). Many of the images were based on photographs snapped by John Shand-kydd (cousin-by-marriage to Diana Spencer), who, to keep things really meta, was also there, snapping away at the proceedings.

For more on this little fiesta, check out Rachel Chandler’s (self-referential) report at The Moment.

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The Digest. 07.31.09.


An audio slideshow of Bill Eppridge’s Woodstock photos can be found at the NYT Lens blog. (Image courtesy of Bill Eppridge.)

Pools we’ve snuck into.


Anonymous Orange County subdivision. (Photo by C-M.)

Calendar. 07.30.09.


Or, 2008, C-Print by Matt Keegan. (Image courtesy of Nicholas Knight.)

  • In NYC: Rubber Sheets, with Joianne Bittle, Orly Cogan, Luisa Kazanas, Nina Katchadourian, Matt Keegan and many others at CREAM Projects in Brooklyn, opens Saturday.
  • In NYC: Ety Fefer, Los Grumildos, at Here, through Aug. 2. Damn, do I wish I was in New York right now to check this out. (Thanks, Vidalia, for the heads up.)
  • In NYC: Whaddaya Wanna Be, a Flower? at Alexander & Bonin, through Aug. 14.
  • In NYC: The Broke Country Club Party at the Putting Lot in Brooklyn, this Saturday at 2pm.
  • In NYC: J. Wales Wilson, Turkey 1989, at Mountain Fold Gallery, through Sept. 12.
  • In L.A.: Mid-City Arts Gallery celebrates one year with works by Augor, Bonks, El Mac, Ewok, Retna and many others, and a live painting exhibit by Chaka, this Sunday at 2 p.m.
  • In Incheon, Korea: The 2009 International Women Artists Biennale, in various venues, opens Saturday.

A Day at Cinecittà: San Suzie visits fake Rome, fake Assisi + fake NYC.


Rome, recreated: The set for the HBO series Rome at Cinecittà. (Photos by San Suzie)

In 1937, everyone’s favorite Fascist, Benito Mussolini (he’s actually the guy who coined the term) founded a movie studio to create propaganda films for his Nazi-sympathizing regime. Dubbed Cinecittà (‘Film City’), the studio was heavily bombed by the Allies during the war, and afterwards, its soundstages were used to house thousands of Italians who had been displaced by the war. By the 1950s, however, Cinecittà had turned into the hub of La Dolce Vita of Italian filmmaking, serving as the set for most of Federico Fellini’s films, and even American blockbusters such as Ben Hur.

Getting a tour of Cinecittà is about as easy as getting a private audience with the Pope. But, with a few well-placed phone calls by C-Monster.net‘s high-powered Hollywood agent, we managed to wrangle our way into a guided tour of the studio’s incredible backlot on a positively sweltering summer day. We saw everything from the satanic-looking sculptures that appeared in Angels and Demons to a recreation of the hilltop town of Assisi where St. Francis received the stigmata (“it’s too steep and inconvenient to film there,” said our guide of the real Assisi). Most significantly, we got to see the house where Grande Fratello, Italy’s version of Big Brother is filmed. The highlight, however, was walking through the $20 million dollar set for HBO’s Rome, a sprawling set of painted temples and forums that gave us a far better sense of the Imperial City than a year’s worth of trudging through ruins.

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On the road. Be back soon.


The Chacahueling Limited. (Photo by ie. quezada.)


Calendar. 07.28.09.


Jonah Freeman and Justin Lowe, Black Acid Coop at Deitch. (Image courtesy of the very wonderful 16 Miles.)

DEAR ARTISTS/GALLERISTS/PUBLICISTS: From here on out I would like you to know that any press releases that get sent to me exclusively as attachments will be immediately discarded. Images are always welcome (though if you’re really cool, you’d just post them on Flickr and all us blogger types could grab them from there). But don’t make me download some three-page artspeak treatise onto my overtaxed laptop just to find out what your paradigm-shifting show is about. All I need are the what-where-when, along with a web link to your show’s info online. Gracias, C.

When literary magazines get tiny: Abe’s Penny.


A magazine in postcard form: Abe’s Penny.

Once a week, for roughly the past four months, I have picked up my mail to discover a postcard from someone I don’t know, featuring photographs of places I am unlikely to visit: private basements, anonymous freeway underpasses and beach scenes that feature the bodies of lifeless birds. Each sequence of four cards (which take a month to collect) makes up a story – written in poetry, or as a series of anecdotes, covering a variety of fictional topics (at least I think they’re fictional).

This is the unusually tiny new literary magazine called Abe’s Penny. Produced by the Brooklyn-based sister team of Anna and Tess Knoebel, the magazine pairs the work of a photographer or artist with the words of a writer. The most recent series – my favorite out of the ones I’ve received – is written by Mike Sacks, with photographs by Richard Gin (shown above), chronicling the travails of an illegal concert series held in a private home.

“First of all,” writes an earnest voice in Vol. 1.5.3, “I want to apologize to the Ayalde family for the gas-tank explosion. In fact, I want to apologize to all of you who many not be entirely happy with my twice-a-month music festival.” Reports another: “Yeah, I know, I know. You’re upset with the smashed windows, the fires in your backyards, the backed-up Port-A-Johns, and the rest, but (at the very least) let’s give this thing a chance, shall we?” I chuckled every time I found one of these in the mail.

For someone like me, who is tormented by the stacks of unread New Yorkers that serve as doorstops around my house, Abe’s Penny is a rare treat. Short, poignant stories told in “Twitteresque character limits” (to borrow a phrase from VenusZine) that arrive in my mail when I least expect them – something to look forward to amid all the bills.

A subscription to Abe’s is $48 for six months — roughly the equivalent of 14.72 grande lattes at Starbucks (as the Knoebel sisters so helpfully put it in their latest subscription missive). You can sign up here.

The Digest. 07.27.09


The Toquepala open-pit copper mine in southern Peru. (Image courtesy of NASA.)

The Digest. 07.24.09.


The 1973 addition to Miami’s Bacardi building, by architect Ignacio Carrera-Justiz. The design is based on a painting by German artist Johannes M. Dietz. (Photo by C-M.)