Interacting with Luke Savisky’s New Works, an immersive installation with cameras, lights, couches, spinning objects and 3-D glasses. Awesome. The exhibit is up through May 9 at the Austin Museum of Art. (Photos by You Know Who.)
Where High Gets Low.
Interacting with Luke Savisky’s New Works, an immersive installation with cameras, lights, couches, spinning objects and 3-D glasses. Awesome. The exhibit is up through May 9 at the Austin Museum of Art. (Photos by You Know Who.)

Partying hearty with the faux fraternity types. (Photos by C-M.)
While in Austin, @ktsmither gave us a tip that Test Site, a city arts lab, was hosting an event by artist Michael Smith (a.k.a. Baby Ikki). He and curator Jay Sanders had transformed a tony home in a well-to-do neighborhood into an art frat house — ΟΣΦ, Omicron Sigma Phi — and were staging a “reunion” party (complete with keg). From what I heard, the neighbors got slightly ruffled at the idea of some possibly vomitous revelry moving into the area. But fortunately this was a gentlemanly fraternity, channeling an a-capella-group-from-Amherst kind of vibe. So, we spent a pleasant afternoon drinking beer in the name of art — and then everyone gathered for a group shot on the front lawn. An all around excellent afternoon, made better by the fact that it’s now been enshrined as art.
Learn more about Test Site here.
Continue reading ‘Roadtrip Diary: Partying like a frat star in Austin.’

Plate 640: Jumping a Hurdle, 1887, by Eadweard Muybridge. Part of the exhibit Helios: Eadweard Muybridge, In a Time of Change at the Corcoran Gallery of Art in Washington, D.C., through July 18. (Image courtesy of the Corcoran.)
And if you’re in NYC this weekend:
To celebrate the release of Street Art New York (which features a foreword by yours truly), Steven Harrington and Jaime Rojo are putting together a benefit auction for Free Arts NYC, at Factory Fresh in Brooklyn, this Saturday at 7pm. Check it out!!!

Just in case anyone is wondering what we’re driving on our cross-country adventure. (Photo C-M.)

Isolated Mass/Circumflex, 1968 by Michael Heizer, a six-ton displacement of desert surface in Nevada. Part of the exhibit, Robert & Ethel Scull: Portrait of a Collection, at Acquavella Galleries in NYC, opening today. Read Fred Kaplan’s story on the Sculls in the NYT. (Image courtesy of Acquavella.)
Plus: Help Art Space Tokyo fund their guide to the city’s intimate art spaces.