
xox, C-Mon + Celso (with apologies to William Holden)
Where High Gets Low.

Arlo Gelteko, Training, Clairton, Pa., by Ross Mantle. Part of the series In the Wake of the American Dream. (Image courtesy of Mantle.)
Or, more accurately, I’m over at Gallerina, at WNYC. (In case you’re interested, you can subscribe to the blog’s RSS feed right here.)

Andy Warhol’s self-portrait silkscreen on wallpaper. Part of an installation for the upcoming exhibit, Andy Warhol: The Last Decade, at the Brooklyn Museum, opening in three weeks. (Image courtesy of Marcus Romero and the Brooklyn Museum.)

Santa Elena Canyon, Big Bend National Park, Texas, 1947 by Ansel Adams. Part of the exhibit Ansel Adams: Eloquent Light, at the Amon Carter Museum in Fort Worth. (Image courtesy of the Amon Carter.)

Drift Fence Carnival, an installation produced by R.L. Croft, with Michael Anthony, at the Pea Island National Wildlife Refuge in North Carolina. The pieces were constructed entirely out of debris found on the beach. Most of the wood is stacked and pulled nails were used to stabilize some of the structures. (Image courtesy of R.L. Croft.)

Untitled, 2010, a red felt sculpture by Robert Morris, part of a solo exhibit at Sonnabend Gallery in NYC, through July. Absolutely worth checking out. (Photo by C-M.)

Phnom Penh graffiti, by Andrew Pope, as featured on his blog, Primitive Nerd. (Image courtesy of Pope.)
Congrats to Elizabeth for winning the Street Art New York Giveaway Extravaganza! I hope your class enjoys it.