You can still find my Datebook over at WNYC — with images by Rockwell Kent (above), part of the Whitney’s Breaking Ground show.
Monthly Archive for April, 2011
How much you want to bet that REVS and COST didn’t know about this? A pic of the McDonald’s at the Louvre, in Paris, with REVS/COST wallpaper — found on -eko-’s Flickr. Plus: see the Norm MSK wallpaper at a McDonald’s in Japan. Also, Jake Dobkin provides a little background.
Wish you were here. xox, C. (Cadillac Ranch by Ant Farm. Body work by El Celso. Printing by Publicidad Viusa. Photos by C-M. Click on images to supersize.)

Things I Love: Conjectural Architecture. Shown here “Museum of the Self,” part of the exhibit Hypothetical Developments, at Du Mois Gallery in New Orleans, organized by Rob Walker, Ellen Susan and G.K. Darby, on view through May 7. (Image courtesy of Hypothetical Developments.)
- L.A.: Martha Cooper: Remix at Carmichael Gallery, through May 7.
- Seattle: The Reader: Cut and Dry, at Lawrimore Projects, through April 30.
- Atlanta: Joanne Mattera, Diamond Life, at Marcia Wood Gallery, opens Saturday.
- Philadelphia: All In The Family, at the Green Line Cafe, opens Thursday.
- NYC: James Clark, at RHV Fine Art, in Brooklyn, through Sunday.
- NYC: April Sky, at 26 Bushwick Avenue in Brooklyn, opens Saturday at 6pm.

Nefarious bacon thingies are occupying somebody’s psyche. And they’re now on view at Winkleman’s Curatorial Research lab in Chelsea. (Photos of photos by C-M.)
There’s a get-inside-the-mind-of-the-artist show going on at the Winkleman Gallery that is worth spending some quality time with. Signs on the Road is a found-object show about found objects: The organizers (a group known as Workroom G) got 150 artists to submit images of things that they are currently fixating on. And it’s a wonderfully random array of things, from photos of gnarly bacon appetizers to scans of marked-up books to a vintage prom advert that is all kinds of sky blue.
Over the course of the exhibit, the photographs will be arranged and rearranged by various collectives. The version I saw, on March 31, was damn intriguing, with oodles of twisted-crazy stuff to look at. It was like the best part of surfing the web, but without that feeling of being totally cracked out. If you go, be sure to take your time. You’ll miss lots of ridiculosity if you try to rush through.
Signs on the Road is up at Winkleman Gallery in Chelsea through April 30.
Continue reading ‘Photo Diary: Stuff artists are looking at.’
Where my weekly Datebook is now up — featuring, among many other things, the civil rights era photographs of Charles Moore. Above, an image from Selma, 1965. (Image courtesy of Steven Kasher Gallery.)
Hey Folks:
I’ve got a copy of Patrick Nguyen’s and Stuart Mackenzie’s Beyond the Street: The 100 Leading Figures in Urban Art to give away (courtesy of the kind folks at Gestalten). It’s a who’s who of street art’s scene-y scene. Y’all know the drill. Leave a comment and this puppy could be yours.
As always, muchas gracias for reading C-Mon.
xox,
C.









