Monthly Archive for November, 2011

Photo Diary: Phemomenal at the Museum of Contemporary Art San Diego.


All kinds of whoaaaaa: Doug Wheeler’s DW 68 VEN MCASD 11 in San Diego. (Photos by C-M.)

I am belatedly uploading some of my pictures from my recent jaunt to California, where I got to poke around some of the Pacific Standard Time exhibits. I saw some true gems — among them the California light and space show at the Museum of Contemporary Art in San Diego, which is a total perceptual mindfuck (not to mention, totally bud-worthy). Many of the pieces were all about the experience — namely, the tricks your eyes play on you — so taking pictures was often pointless, hence the limited number of images here.

If you go, be sure to spend some quality time inside Eric Orr’s Zero Mass (at the La Jolla location), a pitch black room that requires at least six minutes for your eyes to adjust — but once they do, good lord almighty! It’s like waking up from a weird dream in which everything emerges from a fog. Other highlights that will make you say Duuuuuude are Bruce Nauman’s Green Light Corridor, which will have you seeing magenta (also at La Jolla) and Robert Irwin’s Square the Room (at the downtown branch), in which a scrim and some white paint are used to create an absolutely mind-boggling optical illusion. While downtown, do not miss the paintings by Mary Corse, which contain subtle reflective surfaces that seem to change with every move you make in front of the canvas.

If you live in Cali, this exhibit is one of the PST must-sees. And yes, it is worth dealing with the parking lot otherwise known as the 5.

Phenomenal: California Light, Space, Surface is on view at both branches of MCASD (in La Jolla and downtown) through January 22.

Continue reading ‘Photo Diary: Phemomenal at the Museum of Contemporary Art San Diego.’

Stuff that dangles.

My slideshow of the Maurizio Cattelan exhibit at the Guggenheim is now online at WNYC.

Happy Turkeys Day + a coupla linkages.

I’ll be spending the holidays looking pensive and smoldering while waiting for the turkey to emerge for the oven — like my girlfriend Susan Sontag, above. If you’re doing the same, here are a coupla things you can read while the little butterball cooks up: my weekly picks over at Gallerina (those Sarah Braman sculptures look fierce) and four reasons to go see HIDE/SEEK at the Brooklyn Museum. Seriously, if you live in new York, get on it.

Happy Stuffing!

xox,
C.

Credit: Photo of Susan Sontag by Peter Hujar, 1975 — currently on view as part of Hide/Seek at the Brooklyn Museum. National Portrait Gallery, Smithsonian Institution, Washington, D.C. © The Peter Hujar Archive LLC, courtesy Mathew Marks Gallery, New York.

Miscellany. 11.21.11.


The Shipwreck Irene, by R.L. Croft, in Rocky Mount, N.C. The piece, built in October, is located in Battle Park off of Falls Road near the Route 64 overpass. (Image courtesy of R.L. Croft.)

Tahrir Square: Recent graffiti.


My friend Baghdad Bobby is currently running around Egypt on assignment and he sent me a few pictures of the graffiti in Tahrir Square in Cairo that I find rather inspiring. Above: pawns defeat the king.


I like the digital reference on this one. It means “Power to the People.”

Calendar. 11.17.11.


The Ultimate Painting, 1966. Photo documentation of a collaborative work between Clark Richert, Richard Kallweit, JoAnn Bernofsky, Gene Bernofsky and Charles DiJulio. On view in the exhibit West of Center: Art and the Counterculture Experiment in America, 1965-1977, at the Museum of Contemporary Art in Denver. This show looks all kinds of bad-ass. Through February 19. (Image courtesy of the artists and MCA Denver.)

How to create your own Marina Abramovic centerpieces for only $12.

STEP ONE: Acquire Angry Bird piñata.

STEP TWO: Rest on top of performer. As the performer breathes, the Angry Bird is gently raised and lowered — a meditation on awareness and mortality.

IF DESIRED, CONTINUE TO STEP THREE: Place Angry Bird head on a Lazy Susan. Inspire grotesque discomfort in your dinner guests by forcing them to confront the probing stare of another as they sip cocktails and dine on tuna tartar.

What I’m Reading: PRISM Index #2.

The second issue of PRISM Index, the beautifully crafted mixed-media literary/art/music mag  is out and it’s looking just as beautiful as the first (which I wrote about here). As with the first go around, it’s got a lovely silkscreen cover stuffed with stories and art. (I’m digging the pieces by John Malta and Michael Deforge). The hand-stitched package also includes a DVD of short films and a CD of rare and unreleased music which is excellent for moody, bluesy chill-outs (really liking Ohioan’s Come, Reap). This is definitely a publication to dive into and get lost in.

Pick up a copy here.

“Apart from drugs, art is the biggest unregulated market in the world.”

Man, I LOVE Robert Hughes when he’s railing against money!!! And this short documentary series about how money has come to rule the world of contemporary art is so good, I’ve posted posted all six episodes here. Not only is the message (and the historical footage) all kinds of amazing, the scenes that show Hughes staring dramatically into space are straight out of Masterpiece Theatre. There are many fantabulous moments in this doc (footage of Robert Rauschenberg crashing Robert Scull’s auction of his work is one of them), but my most favorite comes in Episode 6, in which Hughes interrogates collector Alberto Mugrabi about art. IT IS FUCKING SUBLIME (even if Hughes conveniently overlooks the fact that Rauschenberg was kind of phoning it in at the end).

Seriously, light a fattie and watch this. It is sooooo good on so many levels.

Double hat-tip to Jörg Colberg for pointing the way on this. The additional five episodes can be found below.

Continue reading ‘“Apart from drugs, art is the biggest unregulated market in the world.”’

Calendar. 11.03.11.


Marriage of Martin de Loyola to Princess Doña Beatriz, and Don Juan Borja to Princess Lorenza, by an unknown painter from Peru’s Cuzco School, in the 18th century. Part of the exhibit Contested Visions in the Spanish Colonial World, at LACMA. Opens Sunday, in the Fairfax District. (Image courtesy of the Museo Pedro Osma, Lima.)