Archive for the 'Art' Category

Peru or Bust: Please help fund our Kickstarter!


Schematic for La Luz, to be installed by Celso at the old Inca sun temple in Cusco, Peru.

Yes, I’m asking for money.

This summer, I’m going to be working as studio assistant/translator/chasqui for my partner-in-crime Celso on a series of installations that will go up at the Qorikancha  the old Inca sun temple in Cusco, Peru. For the project — which is titled La Luz — he’ll be building a series of architectural installations around the ruins grounds (and the attached Dominican monastery) using several hundred bottles of Inca Kola, the nuclear yellow Peruvian soda (see images above and below). It will be a pop paean to the gold that once covered the site. The piece will be pulled apart and re-installed in a new location every three days. At the end of each installation, the public will be allowed to take the Inca Kola home.

The museum that manages the site, the Museo Qorikancha y Convento de Santo Domingo, has commissioned the piece. But as with most arts institutions in Peru, the budgets are tiny. Which is why we’re asking for your help. This is going to be a beautiful project — unlike anything the museum has ever done. So pleasepleaseplease help us get to Peru! Any donation, no matter how small, makes a difference.

Please click through to Celso’s Kickstarter to send us your pennies. We have all kinds of goodies for rewards. And we promise that your donations will be wisely and prudently spent (on lots of Inca Kola). If you’re a regular reader, please think of this as a way to help me keep doing what I love to do — namely, writing about great-weird art I find wherever I happen to be.

Thanks so much! And thanks for reading C-Mon!!!

xox,
C.

Miscellany. 04.02.12.


Hello, ladies! From the Least Wanted archive: A mug shot of fortune tellers in New York City, 1943. (Image courtesy of LW.)

Great moments in public art.


Somewhere on the road between Nicoya and Sámara. (Photo by C-M.)

“Apart from drugs, art is the biggest unregulated market in the world.”

Man, I LOVE Robert Hughes when he’s railing against money!!! And this short documentary series about how money has come to rule the world of contemporary art is so good, I’ve posted posted all six episodes here. Not only is the message (and the historical footage) all kinds of amazing, the scenes that show Hughes staring dramatically into space are straight out of Masterpiece Theatre. There are many fantabulous moments in this doc (footage of Robert Rauschenberg crashing Robert Scull’s auction of his work is one of them), but my most favorite comes in Episode 6, in which Hughes interrogates collector Alberto Mugrabi about art. IT IS FUCKING SUBLIME (even if Hughes conveniently overlooks the fact that Rauschenberg was kind of phoning it in at the end).

Seriously, light a fattie and watch this. It is sooooo good on so many levels.

Double hat-tip to Jörg Colberg for pointing the way on this. The additional five episodes can be found below.

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Photo Diary: A visit to the Milwaukee Art Museum.


It’s impossible to take a bad picture of Milwaukee Art Museum’s atrium (designed by Santiago Calatrava). This museum is all kinds of killer. I couldn’t get enough. (As always, click on images to supersize.)


Would look smashing with a plastic cover: a mid-nineteenth century sofa attributed to John Henry Belter.


A sculpture by Donald Fortescue and Lawrence LaBianca in the museum’s New Materiality exhibit, up through June 12. This piece had a very subtle audio component to it: stand under the trumpet and you could hear the faint sounds of water sloshing. It was the kids there who pointed this out to us.

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The Art of Graceland.

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The Figure in Contemporary Art: Whitney Museum edition.

Glenn Ligon, Self-Portrait, 1996. This screen print definitely has to be seen in person to be appreciated. It’s heavily pixelated and provides a similar experience to viewing Chuck Close’s work. At a distance, the image looks perfect, yet as you get closer the process and its flaws become more apparent. (Courtesy the Whitney Museum).

A recent visit to the Whitney Museum of American Art earlier this month for the opening of the Glenn Ligon show turned up a large selection of works for my series on the Figure in Contemporary Art (check out parts One, Two, and Three). While I was there, I also saw Legacy: The Emily Fisher Landau Collection, housed in the Emily Fisher Landau galleries. While trying to soak in the art, I kept finding myself listening to old rich patrons talk about pieces they would buy. Thankfully, amid the market talk, I did manage to find exactly what this series needed: quality art examining the figure in many different manners, from many different voices. As I wrapped up my viewing experience at the museum, the upper-crust were downstairs trying to get down to Justin Timberlake’s Sexy Back. I knew then that it was time to get back to Brooklyn.

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List of Lists: A book of artistic miscellany.


Ad Reinhardt’s list of desirable and undesirable words for describing art. Sadly, ‘ridiculosity’ did not make his list. (All images courtesy of the Smithsonian’s Archives of American Art and Princeton Architectural Press.)

Any regular reader of this blog will know that I am partial to lists. One, because they’re handy. Two, because they can convey great meaning in just a few words. And, three, because they can reveal so much about the person that creates them. Which is why I’ve really enjoyed thumbing through Lists: To-dos, Illustrated Inventories, Collected Thoughts and Other Artists’ Enumerations, by Liza Kirwin, who serves as curator of manuscripts at the Smithsonian’s Archives of American Art.

As part of her job, Kirwin combs through the files that she receives from artists’ estates or from the artists themselves, cataloguing important letters and diaries. Almost every single collection is accompanied, she says, by lots of lists. “Some have thousands,” she explains, from lists that chronicle artworks shown at a particular exhibit to lists that record day-to-day gallery business. Though often considered ephemera, these can often be invaluable. “One of our treasures in the archives is the list by Picasso of artists that he recommends for the 1913 Armory show.”

Her book, published last year by Princeton Architectural Press, contains a wide gamut of highly intriguing lists, by artists both well-known and forgotten. This includes Franz Kline’s liquor bill for a 1960 New Year’s Eve party. (He spent a sum total $274.51 for an extravagant quantity of booze — that’s more than $2,000 in 2011 dollars). There are Ad Reinhardt’s tidily organized lists of words on index cards, from 1951, in which he creates a schematic of art language. (Shown above, and after the jump.) And there are the lists of painter Adolf Konrad (1915-2003), who once created a pictorial packing list for a jaunt through Egypt and Rome in the ‘early ’60s (see below). “When this came in,” says Kirwin, of Konrad’s watercolor list, “I made a photocopy of it because I said to myself, ‘If I ever do a book, I want to include it in there.’ I just loved it. And now it’s the cover.”

One of the pieces Kirwin found particularly meaningful were the to-do lists of painter and collagist Janice Lowry (1946-2009. “She died of liver cancer,” says Kirwin. “She was working out a lot of issues with her family in her lists. She told me that she could look at the list and see which things she was really avoiding because she would migrate it to the next list. A lot of these had to do with going to the doctor and getting blood tests. She felt intuitively that something was wrong her.”

As technology changes, so does the nature of lists. More contemporary submissions to the archives, says Kirwin, often arrive on discs. These raise all manner of preservation questions: Do you preserve the list in its original formatting? Or strip it down to simple text? How do you store it? “It’s something we’re grappling with,” she explains. “But the lists, they’re not as much fun, for sure.”

See more sample lists below. Click on images to supersize. Want to see more? The Morgan Library in New York will display these, and many others, starting in June.

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My latest in ARTnews.

I’m suuuuper excited about the April issue of ARTnews, which not only features my article on video games and art, but provides me with a cover story that features Elvis. And as someone who got hitched at the Graceland Chapel in Vegas, all I gotta say to that is: HELL. YES.

Further afield:
If you want to see video of Brody Condon’s piece, which is featured on the cover, you can find that on his website right here. If you’re looking for some additional reading, may I highly recommend Tom Bissell’s Extra Lives, a breezily written and poignant introduction to games and game criticism. Online, for thoughtful takes on video games and game culture, definitely check out Ian Bogost’s blog as well as Kill Screen Magazine.

Thanks for reading! And, as always, the story looks even better in print (with lots of sexy graphics) — so buy the mag if you can.

xox,
C.

The Figure in Contemporary Art: Armory Show Edition.


The Armory Show provided the perfect location in which to scope out some works for my series on the figure in contemporary art (see parts one and two). Above, Marc Quinn’s Michael Jackson, from 2010, at Thaddaeus Ropac. A classical take on a fallen icon — reminding me of Michael Jackson and Bubbles by Jeff Koons, except naked.


Pieter Hugo, Mohammed Rabiu with Jamis, Asaba, Nigeria, 2007, at Yossi Milo. I was blown away by this series of photographs by Hugo when they came out, and it was nice to see a large print in person. The fair was heavy on photojournalism, especially series that deal with Africa.


Anish Kapoor, Untitled, 2010, at Lisson. True to my Midwestern roots, I wore blue jeans and a white T-shirt to the Armory… Now, thanks to Anish Kapoor’s reflective tendencies, you’ll all know about my child-bearing hips and incredible forearms. There was an abundance of mirrors, mirror finishes, and reflective plastics at the fair.

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