Archive for the 'C-Monster' Category

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Calendar. 01.25.12.


In the Box-Horizontal, 1962, by Ruth Bernhard. Part of the exhibit In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States, at the Los Angeles County Museum of Art, opening this Sunday. (Image courtesy of the Ruth Bernard Archive, Princeton University Art Museum.)

Bushwick artsy fartsies: Find me in ARTnews.


No Sleep Till Bushwick, 2008, by Skewville. (Photo by C-M.)

Hey Folks:

I’ve got a feature in the February issue of ARTnews about the artsy fartsies that are happening in Bushwick.

I’m sure this will occasion some bellyaching about how articles such as these “ruin” a neighborhood. But I want you all to rest assured that I’ve done the math and no New York neighborhood is completely ruined until it is featured regularly in the New York Times real estate section (check) *AND* on the cover New York magazine (not yet). Though, if you’re wondering what said coverage would look like, check out the mag’s 1992 cover story on Williamsburg.

Anyhow, you can check out my story at ARTnews.com — or better yet, pick up the mag on the newsstand and help me pay for the wide selection of craft beers that now clutter my local C-Town. Okay, maybe not. I’m a Tecate-12-pack-at-the-Food-Dimension kind of girl…

xox,
C.

Photo Diary: Sarah Braman at Mitchell-Innes & Nash in Chelsea.

Continue reading ‘Photo Diary: Sarah Braman at Mitchell-Innes & Nash in Chelsea.’

Miscellany. 01.19.12.


Billboard by French street artist Ox, in San Bernardino. Part of a billboard project on I-15 last month. Image courtesy of the artist.)

Calendar. 01.18.12.


South Philly (Mattress Flip Front), by Zoe Strauss. The photographer currently has an all-kinds-of-major solo exhibit up at the Philadelphia Museum of Art called Ten Years. Be sure to check it! (Image courtesy of Zoe Strauss. To see more, check out this slideshow at the NYT.)

PLUS PLUS PLUS: I’m speaking on a panel about Bushwick this Thursday at 7pm at the Bogart Salon. I’ll be unveiling my new interpretive dance called Health Food Stores Wrapped in Corten Steel Are Harshing My Mellow. Please come!!!!

PLUS PLUS: I’m going to be part of the crew doing a continuous 48-hour reading from Gertrude Stein’s The Making of Americans for Triply Canopy in Greenpoint. Bring your finest Modernist language. The show gets started on Friday evening. I’ll be on stage some time Sunday around noon.

C-Mon Giveaway Extravaganza: 2012 Stikman Calendars!!!!

Hey Folks:

First of all, Happy New Year!

Second of all, the perfectly wonderful Stikman has given me three of his 2012 calendars for giveaway, which means that this little lady (and her adorable little stick dude) could be hanging over your desk.

Y’all know the drill. Leave a comment below and this dapper pair could be all yours.

xox,
C.

Spotted at Gagosian.

“Put Yayoi Kusama on the line. I think someone is trying to bite her dots thing.”

Photo Diary: Works from the collection at MADC, Costa Rica.


Testimonio, 2003, by Isabel Ruiz, from Guatemala. Painted on 23 handkerchiefs are testimonies of violent incidents during Guatemala’s Civil War, from 1960-96. (All photos by C-M.)

The Museum of Contemporary Art & Design (MADC) in San Jose, Costa Rica is the single biggest, most important center for contemporary art in Central America — with a permanent collection that is focused on the region. I’ve been to the museum countless times, but this time I was lucky enough to stumble into a show of works from their permanent collection. (It’s a small institution, so display areas are usually occupied by temporary exhibits.) Always refreshing to see work by artists operating outside of the Bermuda Art Triangle.

Colección MADC is now on view.

Continue reading ‘Photo Diary: Works from the collection at MADC, Costa Rica.’

Calendar. 01.04.12.


An image from Gusmano Cesaretti’s East Los Angeles series, 1974. Part of the photographer’s solo exhibit at Roberts & Tilton. This is a show I most definitely want to see. Opens Saturday at 6pm, in Culver City. (Image courtesy of the artist and Roberts & Tilton.)

HAPPY NEW YEAR!!!

What I’m reading.

Rebels in Paradise, by Hunter Drohojowska-Philp, a look at the SoCal arts scene of the 1960s. The book is a hot mess at the narrative level and it’s a bit of a Ferus Gallery retread (as in: non-white, non-male artists are virtually non-existent). But it’s laced with plenty of funny interviews and tasty anecdotes.

One bit on Robert Irwin versus a critic from Artforum on page 58:

The early 1960s was the apotheosis of reverence toward the automobile in Los Angeles; the new Corvette convertible had a role as memorable as any of the stars of the TV series 77 Sunset Strip. Irwin took the critic out to the San Fernando Valley to introduce him to a kid who was working on a 1929 roadster. “Here was a fifteen-year-old kid who wouldn’t know art from schmart, but you couldn’t talk about a more real aesthetic activity than what he was doing…The critic simply denied it.” Irwin tried to explain, but the critic refused to acknowledge the possibility that such an activity could be considered a form of art. Finally, an angry Irwin pulled his car over. “I just flat left him there by the road, man, and just drove off. Said, ‘See you later, Max.’ And that was basically the last conversation we two ever had.”

I’d love to hear the critic’s version of this story.