Archive for the 'Drawing' Category

Calendar. 05.23.12.


Scheme, 2011, a pencil drawing by Karl Haendel. Part of the solo exhibition Informal Family Blackmail at Susanne Vielmetter Projects, in Los Angeles. Opens Saturday at 6pm, in Culver City. (Image courtesy of the artist and Susanne Vielmetter.)

Photo Diary: Fernando Bryce at Alexander and Bonin in Chelsea.


A detail of a New York Times cover reproduced by Fernando Bryce, in his staggeringly detailed World War II-themed show at Alexander and Bonin. (All photos by C-M.)

This is one of those exhibits that made me exclaim “holy shit” the minute I walked in: for his piece El Mundo en Llamas (The World in Flames), Fernando Bryce has lined the walls of Alexander and Bonin’s ample space in Chelsea with faithful ink recreations of World War II-era newspaper front pages from England, France, the U.S., Germany and Peru. (All are depicted above the fold.) Screaming headlines related to war cover the walls, from floor to ceiling — a stirring chronicle of long-ago news reports on battle advances, defeats, carnage and victory. In between, Bryce has incorporated his renderings of era film posters that he culled from the pages of El Comercio, Peru’s leading daily. (Bryce was born in Peru; he produced El Mundo en Llamas in 2010-11.)

The result is a chronicle of the war that is intensely personal, providing the rare opportunity to view this much-studied global conflagration through a uniquely Latin American lens. Not only are there some interesting historical finds, such as an ad for a 1940s Disney film geared at and incorporating South Americans (see below), the film posters featured — for flicks such as La Sombra del Terror (The Shadow of Terror) and Los Crimenes del Doctor Satán (The Crimes of Doctor Satan) — seem to echo, in exaggerated, graphic form, everything happening in the news. In addition, Bryce’s illustrations are exquisite, turning scenes of war into works of ethereal beauty (such as the image of the Australian soldier, above, from the New York Times). Taken together, the exhibit provides a riveting take on the nature of war, news, propaganda and graphic art. Consider it a must-see.

The show is up through Saturday, at Alexander and Bonin.

Continue reading ‘Photo Diary: Fernando Bryce at Alexander and Bonin in Chelsea.’

Art Fairs: Super quick update.

Volta is meh. But if you’re there, head straight for Steve Turner Contemporary’s booth which has this piece by Deborah Grant. It is pretty dang epic, charting the all-kinds-of-tragic life of painter William H. Johnson in a series of illustrations that creep out from the center. Click on the image to supersize. Click here to see a detail. (Photo by C-M.)

Calendar. 02.22.11.


Kin XXXII (Run Like the Wind), 2008 by Whitfield Lovell. Part of the exhibit More Than You Know at the Smith College Museum of Art, in Northampton, Mass., through May 1. (Image courtesy of the Smith College Museum of Art.)

Have been crazy busy.

Find my weekly Datebook over at Gallerina. And don’t forget about the Empire film Tweet-a-thon all day tomorrow at MoMA (and online). Starts at 10:30 am.

Photo Diary: Raymond Pettibon at David Zwirner in NYC.

Continue reading ‘Photo Diary: Raymond Pettibon at David Zwirner in NYC.’

Photo Diary: Sew Draw at Pandemic in Brooklyn.

Because I am on a roll, I made it to the opening of the Pandemic Gallery’s Sew Draw show this past weekend in Brooklyn — and all I gotta say is: Get. Over. There. The rubber sculptures made by Allison Read Smith (out of scraps of roofing rubber) are all kinds of wonderful. The show also includes some highly interesting drawings by Richie Lasanksy.

As always, it’s Thursday, which means you can find my arty New York listings over at Gallerina. (Look for the link to the slug sex video. It’s amazing.) Also, I got to collaborate with Paddy Johnson of Art Fag City on a little report related to The Sound of Art. Woo Hoo!!!

Continue reading ‘Photo Diary: Sew Draw at Pandemic in Brooklyn.’

Calendar. 06.22.10.


No Olvidado (Not Forgotten), a series of 23 graphite drawings by Andrea Bower that honor those who have died crossing the U.S./Mexico border. Part of the solo exhibit, The Political Landscape, at Susanne Vielmetter in Los Angeles, through July 31. (Image courtesy of Susanne Vielmetter.)

The Digest. 03.29.10.


Hyena, by Ping Zhu. (Image courtesy of Ping Zhu.)

Calendar. 03.11.10.


Lethal Injection Gurney, 2008, by Robert Priseman. Part of the exhibit No Human Way to Kill at White Box, in New York, opens Monday, March 15. Book signing and artist talk on Tuesday, March 23rd at 7pm. (Image courtesy of White Box.)