Archive for the 'Galleries' Category

Calendar. 05.23.12.


Scheme, 2011, a pencil drawing by Karl Haendel. Part of the solo exhibition Informal Family Blackmail at Susanne Vielmetter Projects, in Los Angeles. Opens Saturday at 6pm, in Culver City. (Image courtesy of the artist and Susanne Vielmetter.)

Calendar. 05.09.12.


From Barry McGee’s upcoming solo at Prism LA. Opens Saturday, in West Hollywood. (Image courtesy of the artist and Prism.)

Photo Diary: Rammellzee at Suzanne Geiss Company, in SoHo.

Am late on sooooo many things right now — this is one of them. I managed to catch the exhibit of Rammellzee’s so-called ‘Letter Racers’ at Suzanne Geiss before it closed late last month. And all I gotta say is: daaaaaaaaang. The man knew his way around his materials. Those high-tech looking toys you see flying in formation are actually beautifully assembled bits of junk: umbrella handles, cheap plastic watch bands, broken milk crates, Bic pens and bottle caps. (And lots of dust.)

For a good backgrounder on where these pieces emerged from, check out this NYT piece. And if you get a chance to see his work in person (no matter how small the show), do not miss it.

Continue reading ‘Photo Diary: Rammellzee at Suzanne Geiss Company, in SoHo.’

Calendar. 04.25.12.


Times, 2011, by Stanley Donwood. Part of an 18-foot panel showing the destruction of L.A. at the artist’s solo exhibit Lost Angeles, at Subliminal Projects. Opens Saturday at 8pm, in Echo Park. (Image courtesy of the artist and Subliminal Projects.)

  • L.A.: Mickalene Thomas, The Origin of the Universe, at the Santa Monica Museum of Art. Through August 19, in Santa Monica.
  • Dallas: Erwin Wurm, Beauty Business, at Dallas Contemporary. Through August.
  • NYC: Freehand Jobs, a group show at Pandemic Gallery. Opens Saturday at 7pm, in Williamsburg.
  • NYC: Charles Yuen, at Valentine. Opens Friday at 6pm, in Ridgewood/Bushwick.
  • Plus, see all my latest New York picks over at Gallerina

Last chance: Liz Magic Laser at Derek Eller Gallery in NYC.


A still from I Feel Your Pain, video documentation of a performance piece from last fall. (Image courtesy of the artist and Derek Eller Gallery.)

A man and a woman kiss. They drown each other in flattery. They tell each other that they’re “the one.” They say no one understands. This may sound like the purplest of purple prose scenarios. (And it is.) But it’s actually a live performance that employs the transcript of a Sarah Palin interview by Glenn Beck as its script. Instead of Beck and Palin in the lead roles, however, it’s a couple of young lovers. The words may be the same, but the actions aren’t. It’s grody-fascinating to watch.

For the performance piece, I Feel Your Pain, Liz Magic Laser created more than a dozen theatrical shorts out of television news transcripts (staged as part of the Performa festival last year). Steve Kroft’s 60 Minutes interview with Barack Obama in the wake of the Osama Bin Laden assassination becomes a clubby conversation between two bros sipping soda. It was literally nauseating to watch. Not because the actors were bad. Quite the contrary. The performances are all strong (and Annie Fox, shown above, is particularly riveting to watch). It’s all just a reminder of the uncomfortably cozy relationship between politicians and some members of the media.

For a few pieces, like the ones mentioned above, Laser employs a single interview as script. For others, she weaves together similar language from several Q&As into one cohesive story. Interviews and speeches by Mary Landrieu, Christine O’Donnell and George W. Bush are spliced together into a single work that addresses culpability. It is a riveting work of political theater. Literally. (Though I could have done without the mime-clown character — I mean, why???? — that Laser introduces in a few of the pieces.)

You can catch video of the project at the Derek Eller Gallery through this Saturday, April 21. If you’re a political or media junkie, this represents an intriguing, outrage-inducing intersection. Find the screening times here. And yes, it’s worth it to sit through them all…

Calendar. 04.11.12.


Watermelon, 2006, a porcelain sculpture by Ai Weiwei. Part of the artist’s solo exhibit at Lisson Gallery, in Milan. Opens Thursday. (Image courtesy of Lisson Gallery.)

Calendar. 03.21.12.


Untitled, by Thornton Dial. Part of the group show Materiality at Allegra LaViola, also featuring the work of Joey Archuleta, Yevgeniya Baras and Matt Stone. On view through April 21. (Image courtesy of the artist and Allegra LaViola.)

  • London: Dan Graham, Pavilions, at Lisson Gallery. Opens today.
  • L.A.: A 24-hour screening of Christian Marclay’s The Clock at LACMA, starts Saturday at noon. The best part: there will be donuts!!!!
  • NYC: Alyssa Pheobus Mumtaz, Hourglass, at Tracy Williams Ltd. Opens Thursday at 6pm, in Chelsea.
  • NYC: Color Photographs from the WPA (1939-1943) at Carriage Trade. Opens Thursday at 6pm, in Tribeca.
  • Plus: Get all my New York picks over at Gallerina

Off the wall.

Dug these sculptures: by Kevin Lips at Interstate Projects in Brooklyn. On view through February 25. (Photo by C-M.)

Photo Diary: Ai Weiwei at Mary Boone in Chelsea.

I know these are porcelain and that they’re hand-painted and that there’s four million of them (more on that here), but this install bears an uncanny resemblance to Felix Gonzalez-Torres’s silver-candy piece, Untitled (Placebo), from 1991 — which is currently on view at MoMA. And which can be touched and eaten.

Photo Diary: Sarah Braman at Mitchell-Innes & Nash in Chelsea.

Continue reading ‘Photo Diary: Sarah Braman at Mitchell-Innes & Nash in Chelsea.’