Archive for the 'Installation' Category

The Digest. 03.08.10.


Evening Cocoon, by Kate Browne, in Cragsmoor, New York. Beginning today, Browne will be building a large cocoon in the Plaza Tlatelolco (sight of the infamous 1968 massacre) in Mexico City. It will be lit on March 21st, the first day of spring. (Image courtesy of Kate Browne.)

The Digest. 03.05.10.


Anti-Mass, 2005 by Cornelia Parker a the DeYoung Museum of Art in 2008. (Photo by C-M.)

Today is Art Yoga with C-Mon Day at Ed Winkleman. You can participate via the live web stream at the official #CLASS website, starting at 2pm ET.

Calendar. 02.23.10.


13 by Artemio. Part of the exhibit ChakrAK-47 at LAXART, through March 20, in Culver City. (Image courtesy of LAXART.)

Get some #CLASS: Take on the art industry at Winkleman in NYC, starting Sunday.


William Powhida and Jennifer Dalton organize a month-long lab — and I’m part of it. (Image courtesy of Winkleman Gallery.)

Needless to say, the last few months in the art industry have been highly entertaining. There was William Powhida’s Brooklyn Rail cover last November, which picked apart the internecine machinations of a buncha high-powered types at the New Museum. Then, there was the announcement that a major commercial gallerist has been named director of a super mongo museum in L.A., an institution whose obscenely-rich trustees saw fit to spend its endowment into the ground. And then, of course, there’s Jerry Saltz’s Facebook, which is keeping the art establishment’s hairs on end wondering who the heck he’s gonna call a ‘dick’ next. In other words, there’s been a LOT going on. And most of it doesn’t make a lick of sense.

Which means that #CLASS — a think-tank about the art industry — organized by artists Powhida and Jennifer Dalton and hosted by the Winkleman Gallery, couldn’t come at a better time. This special project will turn the city’s artistic gaze from its navel to the art industry through a month-long series of events that will include a raft of insightful happenings: guerrilla gallery tours, frank Q&As with established art dealers, work sessions, panels, beer-drinking, chalkboard-writing, art-shredding, motivational speaking and even art yoga (led by me). In other words, the plan is to terrorize Chelsea for a month. (I’m not positive that this is indeed the plan, but it’s certainly my plan.) The best part: anyone is welcome to be a part of this. And it’s all FREE.

You can find the entire schedule of events at the dedicated #CLASS website. But here is just a taste of what’s to come:

  • Sunday, Feb. 21, 4pm: The party gets rolling this weekend, so peel your ass off the couch and get down to Chelsea for the first official #CLASS social. An Xiao will serve as social media paparazzi paparazzo. :-p
  • Friday, Feb. 26, 6pm: A session on Bad Curating by Stamatina Gregory and Jovana Stokic. (I believe that attendance is required if you work at the New Museum.)
  • Saturday, Feb. 27, 2pm – 6pm: All kinds of juicy stuff is going down on this day, including a guerrilla gallery tour being led by William Powhida and a how-to on collecting by blogbuds James Wagner and Barry Hoggard.
  • Sunday, Feb. 28, 5pm: Debbie Ainscoe leads a session in Second Life — from the UK. Nerdarrific!
  • Wednesday, March 3, 2pm: ART SHRED is an on-site shredding service that will help artists and other participants liberate themselves of important works of art, meaningful love letters and one-of-a-kind photographs.  This session will be led by my partner-in-crime, Celso. If you have something of consequence that you would like to have shredded, e-mail him at celso[at]elcelso[dot]com. Walk-ins welcome.
  • Thursday, March 4th, 4pm: A discussion/rant/12-step program about art school and the ivory tower, organized by Sharon L. Butler.
  • Friday, March 5, 2pm: Art Yoga with C-Mon: Bow to the Art Industry. Get body and mind ready to navigate the hazards of the art world with a 75 minute yoga class geared at those who want to re-contextualize the nature of liminal space while remaining lithe enough to be considered for possible art/fashion spreads in T Magazine. Class will be led by yours truly, a certified yoga teacher (Om Yoga Center, class of 2003 — seriously). The session will begin with sun salutations to Marina Abramovic and quickly spiral downwards from there. Bring a mat and an open mind. Class capacity 18; first come first serve. Later that same evening, at 6pm, artist Nic Rad will present his ‘Celebritist Manifesto,’ a defense of celebrity culture that will make clear that James Franco is the most important artist of the decade.
  • Saturday, March 6, 6pm: Rod Verplanck, a motivational speaker who, among other things, will teach you that “the very smallness of your ideas is the key to wild success.” Sounds like a must-do. (Courtesy of Schroeder Romero.)
  • Wednesday, March 10: Again, all kinds of good happenings will occur on this day, including balloon-popping with Man Bartlett, a kindergarten class tour of Chelsea with Jennifer Dalton, a feminist tea party and a merciless ask-the-dealer session with Postmasters gallerist Magda Sawon in which she vows “to truthfully answer any and every question posed to her as long as it does not involve her weight, social security number or other people’s money.”
  • Wednesday, March 17, 4pm: Art World as High School. Which class of retainer-wearing nerd are you? Find out with this helpful and informative session.
  • Saturday, March 20th: Another full roster on this day, including art gift wrapping with Zoe Sheehan Saldaña, assessing assessments with important-sounding people from Princeton, and a closing-night event that’s all about ranting!!!

There’s much much much much more going on, and it’s all listed HashTagClass, so get over there already. Plus, you can read more about it at Art in America and the Wall Street Journal. Update: And ArtNet!!

Calendar. 02.16.10.


No. 1-60, by Dennis Lin. At 47 in Toronto, through March 5. See it large. (Image courtesy of 47.)

Calendar. 02.09.10


Pufferella, from the exhibit I Know What You Are But What Am I at Factory Fresh in Brooklyn, opening this Friday at 7pm. (Image courtesy of Factory Fresh.)

Video Diary: Daniel Rozin at Bitforms in NYC.

My filmed reflection in Daniel Rozin’s Rust Mirror (top) and Mirrors Mirror (bottom). Part of the exhibit: Daniel Rozin: X by Y at Bitforms Gallery in Chelsea, through March 20. (Videos by C-M.)

Never Can Say Goodbye at the Former Tower Records Space in NYC.


To the Extreme: Artist Brent Birnbaum channels his inner Ice during his poster signing/performance at Never Can Say Goodbye. (Photos by C-M.)

As any old school New York City hoodrat can tell you, back in the days when the hair was big and the Internerdz didn’t exist, the Tower Records space on lower Broadway was a place of pilgrimage for all things music. In addition to being the spot where you could find plaid-shirted rock nerds deconstructing the various minor schools of punk, it was the only store in the city where you could also get Lowrider Magazine.

The store closed four years ago. But last Friday night, the non-profit group No Longer Empty resurrected its spirit for a night of music-related artsy goodness in a group show called Never Can Say Goodbye. The space, which has been sitting empty since Tower shut down, was filled with music-inspired art, featuring everything from a mock record shop to an in-store poster signing/performance by Ice Ice Maybe (the Vanilla Ice-esque alter-ego of artist Brent Birnbaum). There was also vodka, red wine and plenty of rock and roll hedonism — so much so that I decided to get my boob signed. Later I hurled on a cop car and trashed a hotel room. And all I gotta say is: Sharpie is a bitch to wash out.

Click on images to supersize. Continue reading ‘Never Can Say Goodbye at the Former Tower Records Space in NYC.’

Photo Diary: Party at Aurora Robson’s studio in Brooklyn.

Continue reading ‘Photo Diary: Party at Aurora Robson’s studio in Brooklyn.’

Calendar. 01.07.10.


Gravity Always Wins, by Claire Jackel at The Lab in San Francisco, part of the solo exhibit of the same name; opens Friday at 6 p.m. (Image courtesy of The Lab.)