Archive for the 'Italy' Category

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4:20 Video Break: Venice Biennale style.


Piotr Uklanski’s Dancing Nazis at the Palazzo Grassi, during the Venice Biennale. (Surreptitious video by San Suzie.)

The Good, the Bad, the Rude & the Toxic: San Suzie presents the 1st Annual C-Monster.net Venice Biennial Awards.


Obey Biennale: Taste the hype. (Photos by San Suzie.)

We are just back from the City of the Doges where this summer’s artapalooza kicked off with the 53rd Prosecco-soaked edition of La Biennale di Venezia. The show, which bore the very important title Making Worlds consisted of 38 exhibit spaces in the Arsenale and Giardini, plus a whopping 45 collateral event sites scattered throughout the city’s labyrinthine streets. This was in addition to numerous must-see museums, including the fabulous Pinault Collection at Palazzo Grassi and its new contemporary art venue at Punta della Dogana.

We spent at least a third of the preview days simply trying to get from one place to another, searching the maze of alleys and canals for obscure out-of-the-way locales like the Palazzo Rota Ivancich, the official venue of the Mexican Pavillion. But, all in all, we we were nicely surprised by the offerings: free food, art swag, yacht-and-people-watching, and, oh yeah, the city itself, which was once the wealthiest in all of Europe — and is therefore filled with masterpieces by 16th century heavyweights such as Titian, Veronese, Bellini and Palladio.

Of course, no artapalooza comes without annoyances, ironies, ridiculosity and even a few moments of sheer, breathtaking joy. Therefore, we present you with the First Annual C-Mon awards to celebrate the mother-of-all biennales, highlighting the good, the bad, the ugly, the incomprehensible and the just plain too damn much.

The envelope please…

Continue reading ‘The Good, the Bad, the Rude & the Toxic: San Suzie presents the 1st Annual C-Monster.net Venice Biennial Awards.’

Venice Biennale sculpture shipwrecks.

Via I Feel Asphalt. Thanks for the heads up, Ryan Frank.

Jeff Williams at the American Academy in Rome.


A site-specific installation titled Studio, 2009. (Photos by San Suzie.)

Martyrdom Makes Me Happy: Santo Stefano Rotondo in Rome.


Pass the bath salts: Martyrdom, Santo Stefano style. (Photos by C-M.)

Of all the churches I genuflected at while in Rome, my absolute favorite was the Basilica di Santo Stefano al Monte Cielo (more commonly known as Santo Stefano Rotondo). It is a graceful circular structure (parts of which date back to 500 AD) with a lovely skylight at center. But it’s best asset is the art. Lining the walls of the church are some impressive 16th century murals of martyrdom that serve as a visual compendium of truly imaginative deaths. You’ll see people being boiled, burnt, flayed and chopped — some of them upside down. Yet, because they depict the fleeting moments of spiritual ecstasy that accompany a good martyrdom, everyone kinda looks like they’re having a really great time. The overall effect: disturbing and hilarious. Kinda like the Catholic Church.

Click on images to supersize.

Continue reading ‘Martyrdom Makes Me Happy: Santo Stefano Rotondo in Rome.’

What I did During Spring Break: The American Academy in Rome.


In recovery at the Academy.

If there is one recommendation I can make to anyone in the art industry at this moment of global doom, it is: Become really good friends with a fellow at the American Academy in Rome so that you can stay there. Located on a hilltop, above trendy Trastevere, the Academy houses more than two dozen fellows, who live in a McKim, Mead and White building and dine on a local foods menu inspired by Alice Waters. After long days of work and study, they retire to the well-tended garden, where they reflect on the day’s drinking thinking. It’s like a 19th century sanatorium for the nervous children of the well-to-do. I kept expecting to see a nurse rearranging patients in wicker wheelchairs on the patio. 

I made it into the Academy as a free-loading guest of San Suzie. For a whopping seven days I hung out in what is effectively academia central, a geek’s wet dream of artists, architects and writers (many with advanced degrees) working on ambitious projects and thinking deep thoughts. There were recitations in Latin. A speech-laden meal that celebrated Thomas Jefferson’s birthday. And a champagne cocktail party for visiting artist Jenny Holzer. Party on, dudes! Any other spare moments I may have had were spent drinking cappuccinos in the company of a barista who told me I looked like Salma Hayek. Clearly, the Academy is an oasis from reality. Kinda like a Canyon Ranch for Ph.D.’s, but with open bar. All I gotta say is that it’s the bestest, smartest hotel I ever stayed at. Though some alum really needs to think about funding a hot tub. 

Grazie, Academy and San Suzie! (And to Brad and Dona for loaning us their space.)

xox,

C.

Click on images to supersize. Continue reading ‘What I did During Spring Break: The American Academy in Rome.’

Calendar. 04.30.09.


Detail of a Roman-era micro-mosaic of a satyr and a nymph, unearthed in Pompeii, at the National Archaeological Museum in Naples. (Photo by C-M.)

The Digest. 04.29.09.


Kaf in Naples. (Photo by C-M.)

C-Mon Giveaway Extravaganza: Michelangelo Edition.


Oh, baby.

I recently spent a week in Italy with San Suzie, pillaging the local gelaterias and skulking around the American Academy in Rome. (More on that later.) But if there was one thing I was absolutely determined to do while I was there, it was pick up a pair of the above shorts, which feature the full monty belonging to none other than Michelangelo’s David. (San Suzie did a story on ‘em back in September.)

Now, lucky readers, these sausagerrific 100% polyester shorts could be hugging your privates. Leave a comment below, and before you know it, you’ll be impressing the world with your perfectly chiseled dong and rock-hard derriere.

Winner takes the shorts, but not the man inside. He’s mine — all mine.

The Digest. 04.26.09.


A nymph takes a satyr to task at the National Archeological Museum in Naples; Herculaneum, circa 1st century A.D. (Photo by C-M.)