Archive for the 'New York' Category

Miscellany. 05.22.12.


From a mural by Veng and Sofia Maldonado for Art School Without Walls in Alphabet City. (Image courtesy of Niborama.)

Photo Diary: Rammellzee at Suzanne Geiss Company, in SoHo.

Am late on sooooo many things right now — this is one of them. I managed to catch the exhibit of Rammellzee’s so-called ‘Letter Racers’ at Suzanne Geiss before it closed late last month. And all I gotta say is: daaaaaaaaang. The man knew his way around his materials. Those high-tech looking toys you see flying in formation are actually beautifully assembled bits of junk: umbrella handles, cheap plastic watch bands, broken milk crates, Bic pens and bottle caps. (And lots of dust.)

For a good backgrounder on where these pieces emerged from, check out this NYT piece. And if you get a chance to see his work in person (no matter how small the show), do not miss it.

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Miscellany. 04.23.12.


Not on Sale, by Skewville. Outside of Woodward Gallery on the Lower East Side. On view through April. (Image courtesy of Skewville.)

Last chance: Liz Magic Laser at Derek Eller Gallery in NYC.


A still from I Feel Your Pain, video documentation of a performance piece from last fall. (Image courtesy of the artist and Derek Eller Gallery.)

A man and a woman kiss. They drown each other in flattery. They tell each other that they’re “the one.” They say no one understands. This may sound like the purplest of purple prose scenarios. (And it is.) But it’s actually a live performance that employs the transcript of a Sarah Palin interview by Glenn Beck as its script. Instead of Beck and Palin in the lead roles, however, it’s a couple of young lovers. The words may be the same, but the actions aren’t. It’s grody-fascinating to watch.

For the performance piece, I Feel Your Pain, Liz Magic Laser created more than a dozen theatrical shorts out of television news transcripts (staged as part of the Performa festival last year). Steve Kroft’s 60 Minutes interview with Barack Obama in the wake of the Osama Bin Laden assassination becomes a clubby conversation between two bros sipping soda. It was literally nauseating to watch. Not because the actors were bad. Quite the contrary. The performances are all strong (and Annie Fox, shown above, is particularly riveting to watch). It’s all just a reminder of the uncomfortably cozy relationship between politicians and some members of the media.

For a few pieces, like the ones mentioned above, Laser employs a single interview as script. For others, she weaves together similar language from several Q&As into one cohesive story. Interviews and speeches by Mary Landrieu, Christine O’Donnell and George W. Bush are spliced together into a single work that addresses culpability. It is a riveting work of political theater. Literally. (Though I could have done without the mime-clown character — I mean, why???? — that Laser introduces in a few of the pieces.)

You can catch video of the project at the Derek Eller Gallery through this Saturday, April 21. If you’re a political or media junkie, this represents an intriguing, outrage-inducing intersection. Find the screening times here. And yes, it’s worth it to sit through them all…

Photo Diary: The Dawn of Egyptian Art at the Met.

I’ll admit it: I often glaze over when I enter the Met’s Egyptian galleries, which are full of monumental everything covered in stiff hieroglyphics. But a new exhibit devoted to works created prior to the consolidation of pharaonic power in Egypt is mind-blowing for the humble scale of the pieces (many of which could fit in the palm of a hand) and their charming spontanaeity. Not to mention that some of these works are totally effin’ cute: those early Egyptians sure knew how to carve dogs.

The best part is that this show isn’t in the over-trampled Egyptian wing, but in the Lehman Gallery, at the rear of the museum. (That awful space that looks like a 1980s cruise ship atrium.) Which means it’s nice and quiet — making this just the right kinda show for a 420 chill.

The Dawn of Egyptian Art is up through August 10 at the Metropolitan Museum of Art.

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Miscellany. 04.02.12.


Hello, ladies! From the Least Wanted archive: A mug shot of fortune tellers in New York City, 1943. (Image courtesy of LW.)

Photo Diary: Cardboard worlds.


Carlos Bunga’s lobby installation Landscape at the Hammer Museum in Los Angeles. On view through April 22. (See a related video here.)


A sculpture by Paul Housley at ZieherSmith in New York. The rubber bands make it. <3<3<3 On view through April 21. (Photos by C-M.)

Calendar. 03.21.12.


Untitled, by Thornton Dial. Part of the group show Materiality at Allegra LaViola, also featuring the work of Joey Archuleta, Yevgeniya Baras and Matt Stone. On view through April 21. (Image courtesy of the artist and Allegra LaViola.)

  • London: Dan Graham, Pavilions, at Lisson Gallery. Opens today.
  • L.A.: A 24-hour screening of Christian Marclay’s The Clock at LACMA, starts Saturday at noon. The best part: there will be donuts!!!!
  • NYC: Alyssa Pheobus Mumtaz, Hourglass, at Tracy Williams Ltd. Opens Thursday at 6pm, in Chelsea.
  • NYC: Color Photographs from the WPA (1939-1943) at Carriage Trade. Opens Thursday at 6pm, in Tribeca.
  • Plus: Get all my New York picks over at Gallerina

Off the wall.

Dug these sculptures: by Kevin Lips at Interstate Projects in Brooklyn. On view through February 25. (Photo by C-M.)

Photo Diary: F*ck Art (and more) at the Museum of Sex, in NYC.


I popped into the opening of F*ck Art, the street arty show at the Museum of Sex in Manhattan last Wednesday. The opening came complete with chocolate penis pops, hot trannie nurse handing out Jell-O shots, almost nekkid people and plenty of sex. Seen above: An installation by Aiko’s. (Photos by C-M.)


Miss Van.


El Celso.

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