A relief of the Gemini capsule carved by artist Kevin Sudeith in northern California. The artist has recently been working around New York. My story on his petroglyphs is now up at WNYC. (Image courtesy of Sudeith.)
Archive for the 'New York' Category
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Ayre and Yok in Manhattan. (Photo by Luna Park.)
On Public Housing
A view of the Marcy Houses. (Photo by NYC-Metrocard.)
Michael Kimmelman has an interesting piece about large-scale housing developments in the New York Times. He takes a look at the fate of the infamous Pruitt-Igoe projects in St. Louis and draws a comparison to the Penn South buildings in New York’s Chelsea, which have been largely successful as a housing development. He discusses how economic and other urban development factors can affect the success or failure of architectural design. All around an interesting piece. But while I dig Kimmelman’s focus on publicly-minded design (a breath of fresh air after Ourossoff’s era of mega-projects), it seems like a bit of an oversight to pen a very long story about these types of constructions and not even mention places like the Marcy Houses in Bed-Stuy or Red Hook Houses in Red Hook — two places with a history that is infinitely less rosy than that of Penn South.
Linkage
- In an essay in Vanity Fair, Kurt Anderson says we are in a period of cultural stasis — relentlessly remixing everything that came before, but not necessarily adding anything new: “In our Been There Done That Mashup Age, nothing is obsolete, and nothing is really new; it’s all good. I feel as if the whole culture is stoned, listening to an LP that’s been skipping for decades, playing the same groove over and over. Nobody has the wit or gumption to stand up and lift the stylus.” Sure explains a lot of the art I see…
- Holy Shit: Dude surfing a 90-foot wave.
- Interesting essay in the Atlantic on how much information is too much for Google to have.
- Bytebeats: music from the programming language C.
- That point where Tony Curtis and Christopher Wool intersect.
- A proposed turn-of-the-20th-century reconstruction of the Venus de Milo. Amazing and weird. (@giovannigf.)
- The New York Observer profiles the life and times of artist and ArtNet editor Walter Robinson.
- And the Wall Street Journal mag takes on Anne Pasternak, the director of Creative Time.
- The Day in Art Merch: Private jets decorated with graffiti by RETNA.
- Plus, speaking of airplane graffiti: The Boneyard Project. Making airplane hulls all pretty-like.
- There’s nothing like a book review that revels in a little dismemberment: Heather Havrilesky on Caitlin Flanagan’s Girl Land. Yowza. (@embeedub)
- “The main thing to remember is the sunlight, and the immense expanse of sky and earth that it illuminates: it sucks the color out of everything that it touches, takes the green out of leaves and the sap out of twigs, makes human beings seem small and of no importance.” — Mystery writer James Cain, on California in the 1930s.
A detail from Rome, ca. 1970, by the Rev. Samuel David Phillips.
An abstraction made from reclaimed lath board by Kinetic Tornado (in benefit of the Konbit Shelter Project).
Jaguar, by Oranit Solomonov.
I know these are porcelain and that they’re hand-painted and that there’s four million of them (more on that here), but this install bears an uncanny resemblance to Felix Gonzalez-Torres’s silver-candy piece, Untitled (Placebo), from 1991 — which is currently on view at MoMA. And which can be touched and eaten.
“Put Yayoi Kusama on the line. I think someone is trying to bite her dots thing.”
My slideshow of the Maurizio Cattelan exhibit at the Guggenheim is now online at WNYC.
My partner-in-crime, Celso, was running around Central Park’s North Woods when he stumbled into this (uncommissioned) carving of a face on a rock. I like the Olmec head aspirations and that someone decided to carve (rather than spray) one of the park’s boulders. If you’re the artist and you’re reading this: keep up the good work. (Photo by celso_nyc.)
