Archive for the 'Painting' Category

Calendar. 11.17.11.


The Ultimate Painting, 1966. Photo documentation of a collaborative work between Clark Richert, Richard Kallweit, JoAnn Bernofsky, Gene Bernofsky and Charles DiJulio. On view in the exhibit West of Center: Art and the Counterculture Experiment in America, 1965-1977, at the Museum of Contemporary Art in Denver. This show looks all kinds of bad-ass. Through February 19. (Image courtesy of the artists and MCA Denver.)

Photo Diary: de Kooning: a Retrospective, at MoMA — the black and whites.


Painting, 1948, by Willem de Kooning. (Photos by C-M.)

As I’m sure you’ve well read by now, the Willem de Kooning retrospective at MoMA is all kinds of gangbusters. I’m not going to get into some dissertation about what he and his work signified, because I think there have been plenty of those — among them, the comprehensive 500-page catalogue. But I did want to highlight one of the aspects of the show I really dug: the black and white paintings from the late 1940s — mainly because I’m a sucker for black and white, but also because they seem to revel in a certain gritty New York City-ness (that seems to no longer exist). They also look like a type of proto-graffiti, what Jed Perl describes in New Art City in the following way: “De Kooning’s nitty-gritty New York was all knock-you-in-the-teeth actualities, all surprising particulars: the dramatically contrasted sizes of adjacent buildings, the abandoned lots and demolition sites, the oil stains and graffiti on the pavements, the reflections of neon signs on wet streets.”

This is also an opportunity to pimp my podcasts on New York City in the time of the Abstract Expressionists. Many more pictures after the jump.

de Kooning: A Retrospective is on view through January 9 at the Museum of Modern Art.

Continue reading ‘Photo Diary: de Kooning: a Retrospective, at MoMA — the black and whites.’

Flying High.

I have an interview over at WNYC with art critic Ken Johnson about his new book, Are You Experienced? which chronicles the influence of 1960s drug culture on the last half century’s worth of art. Also included: tips on the best New York museum to be stoned in. (Image of the painting Rabbit, by Judith Linhares,  featured in the book, comes courtesy of Prestel.)

This Friday, in East L.A.: The Vincent Price Art Museum reopens.

The Vincent Price Art Museum at East L.A. College is opening the doors to its brand new building and it looks like it’s going to be all kinds of boss. In fact, it’s making me wish I wasn’t going to be out of town — because the inaugural shows appear to be all kinds of fantastic, including one on the roots of Mexican modernism and another featuring eight high-profile alums (including figures such as Kent Twitchell, Gronk, John Valadez and Diane Gamboa — who painted the above piece, Consensual Behavior, in 2003). Things get rolling this Friday, May 20, at noon. If you live in L.A., seems like a must-do.

The Art of Graceland.

Continue reading ‘The Art of Graceland.’

While I’m out…

You can still find my Datebook over at WNYC — with images by Rockwell Kent (above), part of the Whitney’s Breaking Ground show.

Datebook is up.

You can find my weekly list of New York area happenings (including Susanna Heller’s exhibit of abstractions, as seen above) right here.

Calendar. 03.22.11.


Panel Discussion, by Dan McCleary. Part of the artist’s solo exhibit at Craig Krull Gallery in Los Angeles — through April 2. (Image courtesy of Krull.)

Hey Folks: I was having a few problems with spam and I think I may have deleted a bunch of real comments. Sorry if I zapped your deep thoughts, but my WordPress is a little gummed up. Best, C.

The Digest. 03.14.11.


What My Mother Doesn’t Know, a painting by Hector Hernández, spotted at Curbs & Stoops in Brooklyn. (Photo by C-M.)

Over at Gallerina…

…where I’m writing about Andean tunics, quirky illustrations and Glen Ligon’s incredible solo at the Whitney (the painting above is his). Check it all right here.