Archive for the 'Photography' Category

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Calendar. 10.26.11.


Boxers, possibly Golden Gloves contenders, lined up in boxing ring, c. 1955, by Charles “Teenie” Harris. Part of the exhibit Teenie Harris, Photographer: An American Story, at the Carnegie Museum of Art in Pittsburgh. Opens Saturday. (Image courtesy of the Carnegie Museum of Art, Pittsburgh.)

  • Buenos Aires: Ernesto Neto at the Faena Arts Center. Through February 12.
  • L.A.: In Context, a group show with Louise Bourgeois, Joseph Cornell, Radciffe Bailey and David Hammons, among many others, at Roberts & Tilton. Opens Saturday, at 6pm, in Culver City.
  • L.A.: Monique Prieto, Time Enough, at ACME, through November 12.
  • L.A.: Gronk and Patssi Valdez lead a walk-through of the Asco exhibit at LACMA this evening at 7:30pm.
  • L.A.: Jeremy Fish & Kenichi Yokono: Rise of the Underground, at Mark Moore Gallery. Opens Saturday, at 6pm.
  • Riverside, Calif.: JEFF&GORDON, Play Against, at the Sweeney Art Gallery at the University of California Riverside. Opens Saturday, at 6pm.
  • Chicago: The Three Graces, at the Art Institute of Chicago. Opens Saturday.
  • Atlanta: Nosferatu, screened with live music by Felipe Barral, in conjunction with Possible Futures, at the Goat Farm. Today and Friday at 8:30pm.
  • Philadelphia: Laurie Anderson, Forty-Nine Days in the Bardo, at the Fabric Workshop and Museum. Through November 19.
  • NYC: Die Like You Really Mean It, at Allegra LaViola. Through December 3rd, on the Lower East Side.
  • NYC: Bushwick Beat Night, in which various Bushwick art spaces stay open late. This Friday, from 6-10pm.
  • Plus, get all my New York City recommends on Gallerina

Calendar. 09.01.11.


San Ysidro, California, 1979, by Alex Webb. This photo and others can be viewed at the booth of the Joseph Bellows Gallery, at Art San Diego 2011. Runs from today through Sunday, at the Hilton San Diego Bayfront. (Image courtesy of the artist and Joseph Bellows.)

Miscellany. 08.16.11.


Getting set to party at the Tropicana in Havana. (Image courtesy of San Suzie.)

Hey y’all, San Suzie — the Art Nurse otherwise known as Rosa Lowinger — is quoted all over a story in the September issue of Vanity Fair on the history of Havana’s Tropicana nightclub. Unfortunately, the article is only available in the print magazine, but it’s worth the newsstand price for the anecdote about the 18-inch penis. (Seriously.) In addition, the photos are by none other than William Eggleston. Speaking of which, if you haven’t picked up Lowinger’s highly-readable book on Tropicana, this is as good a time as any.

Random Linkage

Calendar. 08.11.11.


Sister Cool, 1974, by Dennis Morris. Part of the exhibit Becoming: Photographs from the Wedge Collection, exploring the depiction of African-Americans in photography, at the Nasher Museum of Art at Duke University. Opens today. (Image courtesy of the Nasher.)

Miscellany. 08.08.11.


Havana Hot Rod: A 1957 Dodge Coronet on the street, in Cuba. (Photo by San Suzie.)

On Curls

Wigs (Portfolio), 1994, by Lorna Simpson. (Courtesy of MoMA.)

It’s my spoken rule never to actually read the New York Times Style section, just look at the pictures. But I couldn’t resist poking into Judith Newman’s essay on curly hair. As a sporter and supporter of all things big and curly, I’m always happy to see someone call the blowout mafia on the bullshit. (Seriously, formaldehyde??? That’s so Damien Hirst.) But the piece, I thought, overlooked what I think is an ethnic issue that is also tied to curly hair. We live in a society that prizes WASP standards of beauty above all. I think there’s a certainly undesirability to curly hair because it’s seen as too ethnic, too Jewish, too Latino, too Black. Too, well, unruly.

It still feels like a bit of defiance to wear hair that is big and curly. But not for simple aesthetic reasons. This story could have been an interesting dissection of what we as a society consider beautiful and why. Opportunity missed.

Now, back to looking at the pictures.

Random Linkage

Calendar. 08.04.11.


Untitled (#1), by Dinh Q. Lê. The artist is the subject of a solo exhibit, Imaginary Country, at Cooley Gallery at Reed College, in Portland, Oreg. The show opens this Friday at 5:30pm. (Image courtesy of PPOW Gallery.)

And, as always, for my New York recommends, see Gallerina. Though, if you’re up in the vicinity of Wassaic, N.Y., be sure to check out the weekend’s Wassaic Project, complete with lots of dance, film, art and music.

Calendar. 07.28.11.


City Hall offices, Lubumbashi, DR Congo, 2007, by Guy Tillim. Part of the exhibit Guy Tillim: Avenue Patrice Lumumba, at the Contemporary Arts Center in Cincinnati. (Image courtesy of CAC and Kuckei + Kuckei, Berlin.)

Plus: Congrats to Jason Lujan for winning the C-Mon Giveaway Extravaganza, 3-D Art Book edition.

Calendar. 07.21.11.


Gina Drunk with Henry in Lobby, by Naomi Harris. Part of the group exhibit Fuck Pretty: A Photography Exhibition, at the Robert Berman Gallery in Santa Monica. Opens today at 6pm. (Image courtesy of the artist and Robert Berman.)

Calendar. 06.30.11.


Untitled, date unknown, a photograph by Ralph Eugene Meatyard, from the solo exhibit Dolls and Masks, at the Art Institute of Chicago. Opens Saturday. This looks like it’s gonna be pretty boss. (Image courtesy of the Estate of Ralph Eugene Meatyard, Courtesy Fraenkel Gallery, San Francisco.)

Photo Diary: Cleveland Museum of Art.


I went to a professional heavyweight bout once at Madison Square Garden. It was as riveting as it was grotesque. Essentially, you’re sitting around watching a guy take a beating. George Bellows really captured the raw power of this savage spectacle in Stag at Sharkey’s, a painting from 1909. His later boxing paintings are more stylized. But in this one, it’s all about the violence, with fighters in contorted poses, their faces a blur of expressionistic red paint. I could practically taste the sweat.


Want: A feathered hat from the Bamileke people of Cameroon, circa 1900. Stunning.


The museum has a trippy-interesting show devoted to Cleveland Op Art (up through February 2012). Shown here is a detail of Julian Stanczak’s piece Provocative Current, from 1965. I would have taken more pix, but there was no photography allowed in the modern or contemporary galleries. Living artists are such a buzzkill.

Continue reading ‘Photo Diary: Cleveland Museum of Art.’