Archive for the 'Photography' Category

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Miscellany. 08.08.11.


Havana Hot Rod: A 1957 Dodge Coronet on the street, in Cuba. (Photo by San Suzie.)

On Curls

Wigs (Portfolio), 1994, by Lorna Simpson. (Courtesy of MoMA.)

It’s my spoken rule never to actually read the New York Times Style section, just look at the pictures. But I couldn’t resist poking into Judith Newman’s essay on curly hair. As a sporter and supporter of all things big and curly, I’m always happy to see someone call the blowout mafia on the bullshit. (Seriously, formaldehyde??? That’s so Damien Hirst.) But the piece, I thought, overlooked what I think is an ethnic issue that is also tied to curly hair. We live in a society that prizes WASP standards of beauty above all. I think there’s a certainly undesirability to curly hair because it’s seen as too ethnic, too Jewish, too Latino, too Black. Too, well, unruly.

It still feels like a bit of defiance to wear hair that is big and curly. But not for simple aesthetic reasons. This story could have been an interesting dissection of what we as a society consider beautiful and why. Opportunity missed.

Now, back to looking at the pictures.

Random Linkage

Calendar. 08.04.11.


Untitled (#1), by Dinh Q. Lê. The artist is the subject of a solo exhibit, Imaginary Country, at Cooley Gallery at Reed College, in Portland, Oreg. The show opens this Friday at 5:30pm. (Image courtesy of PPOW Gallery.)

And, as always, for my New York recommends, see Gallerina. Though, if you’re up in the vicinity of Wassaic, N.Y., be sure to check out the weekend’s Wassaic Project, complete with lots of dance, film, art and music.

Calendar. 07.28.11.


City Hall offices, Lubumbashi, DR Congo, 2007, by Guy Tillim. Part of the exhibit Guy Tillim: Avenue Patrice Lumumba, at the Contemporary Arts Center in Cincinnati. (Image courtesy of CAC and Kuckei + Kuckei, Berlin.)

Plus: Congrats to Jason Lujan for winning the C-Mon Giveaway Extravaganza, 3-D Art Book edition.

Calendar. 07.21.11.


Gina Drunk with Henry in Lobby, by Naomi Harris. Part of the group exhibit Fuck Pretty: A Photography Exhibition, at the Robert Berman Gallery in Santa Monica. Opens today at 6pm. (Image courtesy of the artist and Robert Berman.)

Calendar. 06.30.11.


Untitled, date unknown, a photograph by Ralph Eugene Meatyard, from the solo exhibit Dolls and Masks, at the Art Institute of Chicago. Opens Saturday. This looks like it’s gonna be pretty boss. (Image courtesy of the Estate of Ralph Eugene Meatyard, Courtesy Fraenkel Gallery, San Francisco.)

Photo Diary: Cleveland Museum of Art.


I went to a professional heavyweight bout once at Madison Square Garden. It was as riveting as it was grotesque. Essentially, you’re sitting around watching a guy take a beating. George Bellows really captured the raw power of this savage spectacle in Stag at Sharkey’s, a painting from 1909. His later boxing paintings are more stylized. But in this one, it’s all about the violence, with fighters in contorted poses, their faces a blur of expressionistic red paint. I could practically taste the sweat.


Want: A feathered hat from the Bamileke people of Cameroon, circa 1900. Stunning.


The museum has a trippy-interesting show devoted to Cleveland Op Art (up through February 2012). Shown here is a detail of Julian Stanczak’s piece Provocative Current, from 1965. I would have taken more pix, but there was no photography allowed in the modern or contemporary galleries. Living artists are such a buzzkill.

Continue reading ‘Photo Diary: Cleveland Museum of Art.’

Peruvian Monuments, Redux: The photography of Pablo Hare.

I am currently cultivating a healthy obsession with crazy works of public art in Peru. (See my earlier post here.) Which is why I was excited to hear about the work of Peruvian-born photographer Pablo Hare, who has a whole series devoted to some of the most sublime/absurd monuments you have ever laid your eyes on. From top to bottom: a statue of a puma, a tribute to the maca (a type of tuber) in Junín, and a contemporary rendering of the Lord of Sipán, a Moche figure found entombed on the North Coast of Peru (where my family hails from). Hare has captured some absolutely sublime public art ridiculosity. Be sure to click over to view the whole series.

Thanks to Andrés Marroquín Winklemann and Joerg Colberg for the tip.

Greetings from Cadillac Ranch.

Wish you were here. xox, C. (Cadillac Ranch by Ant Farm. Body work by El Celso. Printing by Publicidad Viusa. Photos by C-M. Click on images to supersize.)

Continue reading ‘Greetings from Cadillac Ranch.’

Photo Diary: Stuff artists are looking at.


Nefarious bacon thingies are occupying somebody’s psyche. And they’re now on view at Winkleman’s Curatorial Research lab in Chelsea. (Photos of photos by C-M.)

There’s a get-inside-the-mind-of-the-artist show going on at the Winkleman Gallery that is worth spending some quality time with. Signs on the Road is a found-object show about found objects: The organizers (a group known as Workroom G) got 150 artists to submit images of things that they are currently fixating on. And it’s a wonderfully random array of things, from photos of gnarly bacon appetizers to scans of marked-up books to a vintage prom advert that is all kinds of sky blue.

Over the course of the exhibit, the photographs will be arranged and rearranged by various collectives. The version I saw, on March 31, was damn intriguing, with oodles of twisted-crazy stuff to look at. It was like the best part of surfing the web, but without that feeling of being totally cracked out. If you go, be sure to take your time. You’ll miss lots of ridiculosity if you try to rush through.

Signs on the Road is up at Winkleman Gallery in Chelsea through April 30.

Continue reading ‘Photo Diary: Stuff artists are looking at.’

Find me at Gallerina.

Where my weekly Datebook is now up — featuring, among many other things, the civil rights era photographs of Charles Moore. Above, an image from Selma, 1965. (Image courtesy of Steven Kasher Gallery.)