• Chicago: Roy Lichtenstein: A Retrospective, at the Art Institute of Chicago. Opens today.
• Houston: Source Material: Works by Brian Dupont and Chris Rusak, at Skydive. Opens on Thursday at 7pm.
• San Francisco: [Invisible] Relic, at Park Life Gallery. Through June 10, in Laurel Heights.
• L.A.: Lawrence Weiner, Around & Around High & Low, at Regen Projects.
• L.A.: Aaron Young, No Fucking Way, at the Company. Through June 23, in Chinatown.
• Santa Fe: Seeing Red, at the David Richard Gallery. Opens Friday.
• Plus, get all my latest New York picks over at Gallerina…

Sculpture by 3D! NYC. (Via Make.)

The New Aesthetic 101
There’s been a lot of chatter on the internetz about the New Aesthetic, a cultural theory that posits that man is starting to see and interpret the world in machine-like ways — specifically, computer-ish ways. (Think: pixel-y sculpture, like the one at right.) All of this was stirred up by writer/design James Bridle and released into the media wilds at a panel at SXSW. (Sort of covered in this rambling essay by Bruce Sterling in Wired.) But, for my money, if you’re really trying to get at what the new lingo purports to describe, see Joanne McNeil’s notes — in which she succinctly examines (with images) how technology has affected the way we see and, as a result, produce culture.

Random Linkage

• Who needs words when you have GIFs? I’ve decided that the world doesn’t need me writing reams of blather about art. It needs me vandalizing art on Blingee instead.
• Speaking of GIFs, I like Badlands publishing’s new GIF ‘Wall’ on its website, which greets visitors to the site with GIF works by a rotating selection of artists.
• Greg.org explores that bizarre-sublime intersection of the Google Art Project and copyright.
• And Paddy Johnson gets ranty (rightly so) on dude-centric ‘net art shows.
• On sweeping all that inequity and union-busting under the rug: Paddy, again, has a must-read on the state of art industry denial about inequity.
• Sort of related: What Jerry Saltz says he’d do with $200 million: “I’d buy a nuclear submarine and hang it on my wall.”
• Peter Schjeldahl pens an essay on the Art Fair Industrial Complex. And follows up with a blog post about how irritating art fairs are. Maybe if we as journalists stopped going to/covering them (even if it is to bellyache) they might assume a slightly less important role.
• Plus: ‘Cuz Schjeldhal’s been rather frisky of late, his review of the Met’s new audio tour.
• KCET unveils a new culture website, Artbound — which has a very nice video profile of the Date Farmers and a nice bit on Peruvian art beer Cerveza Tupac.
• Podcast: Tyler Green interviews Cory Arcangel about art historical and other influences in his work and photographer Zoe Strauss about what it was like to hold office hours at the Philadelphia Museum. (Hint: Dude talkin’ ‘bout his girlfriend’s periods. LOL.)
• Kind of amazing to learn that Duane Hanson’s Janitor at the Milwaukee Museum of Art has been pickpocketed. (Modern Art Notes.)
• The Day in Art Merch: A Jeff Koons bunny jacket…for only $2500.
• Architect Liz Diller explains the Hirshhorn Museum’s bubble. I have to confess: seeing some of the schematics make me think less ‘bulbous membrane’ and more ‘gigantic turquoise poo.’ (@kristoncapps.)
• Yevgeniy Fiks is looking for proposals for a monument to Cold War victory. And his judging panel is nothing to sneeze at.
• On WFMU: Josh Kun talks about the burst of hyperviolent narcocorridos, with plenty of music in between. Though I want to spank DJ Rupture for talking at the precise moment that Camelia La Tejana gets dumped in Contrabando y Traición. So wrong.
• An interesting episode of On the Media examines all kinds of issues related to book publishing, including business models and copyright.
• “The Pernicious Myth That Slideshows Drive ‘Traffic.’” Love the graphic.
• On Tina Fey’s “Thatcherite morality.” I love me some Tina, but this is interesting food for thought.
• “I’m Sick of Pretending: I Don’t ‘Get’ Art.” Me, too.

I’ll admit it: I often glaze over when I enter the Met’s Egyptian galleries, which are full of monumental everything covered in stiff hieroglyphics. But a new exhibit devoted to works created prior to the consolidation of pharaonic power in Egypt is mind-blowing for the humble scale of the pieces (many of which could fit in the palm of a hand) and their charming spontanaeity. Not to mention that some of these works are totally effin’ cute: those early Egyptians sure knew how to carve dogs.

The best part is that this show isn’t in the over-trampled Egyptian wing, but in the Lehman Gallery, at the rear of the museum. (That awful space that looks like a 1980s cruise ship atrium.) Which means it’s nice and quiet — making this just the right kinda show for a 420 chill.

The Dawn of Egyptian Art is up through August 10 at the Metropolitan Museum of Art.

(All photos by C-M.)

• Chicago: The Architecture & Design Film Festival, at the Music Box Theatre. Five days of films will start screening this Thursday.
• Detroit: In Conversation with Hernan Bas, at the Detroit Institute of Arts. This evening; reception at 6pm, talk at 7pm.
• NYC: Bad Girls of 2012, a group show, at Interstate Projects. Opens Saturday at 6pm, in Bushwick.
• NYC: Gigi Chen & H. Veng Smith, The Birds and the Bees, at Mighty Tanaka. Opens Friday at 6pm, in Dumbo.
• Plus: All my latest New York picks on at Gallerina…

A sculpture by Paul Housley at ZieherSmith in New York. The rubber bands make it. <3<3<3 On view through April 21. (Photos by C-M.)