Archive for the 'Sculpture' Category

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Miscellany. 11.21.11.


The Shipwreck Irene, by R.L. Croft, in Rocky Mount, N.C. The piece, built in October, is located in Battle Park off of Falls Road near the Route 64 overpass. (Image courtesy of R.L. Croft.)

Calendar. 10.06.11.


In One Piece At A Time, artist Jonathan Brand has recreated a Ford Mustang entirely out of paper. And since my first car was a banana yellow ’75 Mustang sedan, well, I couldn’t resist featuring it here. The paper auto is on view at Hosfelt Gallery through October 29 in New York City. (Image courtesy of the artist.)

Over at ARTnews: Pacific Standard Time.


Vacancy/No Vacancy, 1972, by Lili Lakich. Featured in the exhibit Doin’ it in Public: Feminism and Art at the Woman’s Building, at the Otis Ben Maltz Gallery, through January 28 — part of the Pacific Standard Time series of exhibitions in Los Angeles. (Image courtesy of the Ben Maltz Gallery.)

Pacific Standard Time seems to be roaring along quite nicely, with exhibits opening up all over Southern California to celebrate the region’s post-War art. I’ve got an overview story in this month’s ARTnews about the project — which includes anecdotes about how curators were able to track down pieces in Kansas bank branches and parking lot shipping containers.

You can read that story here.

And be sure to click over even if PST is not your realm of interest. ARTnews has a new website that is all kinds of snazzy. Worth checking out!

Calendar. 09.29.11.


Bag Lady in Flight, by David Hammons — ca. 1970s (reconstructed 1990). Part of the exhibit Now Dig This! Art and Black Los Angeles, 1960-1980, at the Hammer Museum. Opens Sunday, in Westwood. (Collection of Eileen Norton, courtesy of the Hammer Museum.)

If there was one place I wish I could be this week, it’s SoCal, for the official launch of Pacific Standard Time. There’s gonna be all kinds of great exhibits. Below, I’ve listed some of the ones opening this week that have caught my eye. (Don’t forget Asco at LACMA, which has already opened.)  Naturally, there are many others coming up, so check out the Getty’s hub website for a complete list of all the related exhibits.

 

Calendar. 09.15.11.


Silver Dollar (Ruinas), by Diego J. Garza. Part of the exhibit After the Gold Rush: Reflections and Postscripts on the National Chicano Moratorium of August 29th, 1970, at the Vincent Price Art Museum. Opens Friday at 6pm, in Monterey Park. (Image courtesy of VPAM.)

  • L.A.: Roberts and Tilton is hosting a book party for the launch of L.A. Object & David Hammons Body Prints this Saturday at 5pm in Culver City. This sounds like the kinda book I’d want to read.
  • L.A.: Andrea Zittel at Regen Projects. Opens Friday, in West Hollywood.
  • L.A.: Gronk, Empty Lines, at L2kontemporary. Opens Saturday, in Echo Park.
  • Long Beach: MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985, at the Museum of Latin American Art. Opens Sunday.
  • NYC: And Another Thing, a group show, at the CUNY Graduate Center on Fifth Avenue. Through October 29, in Midtown.
  • Plus, find all my latest NYC recommends over at Gallerina — including the all-kinds-of-awesome de Kooning retrospective at MoMA… Don’t miss!

Calendar. 09.08.11.


Marianne Vitale’s Model for a Torpedo. On view in the group show Norfolk, at Thierry Goldberg in NYC, through October 30. (Photo by C-M.)

 

Sculptures that make me snort-laugh.

Rob Pruitt’s Andy Monument, in NYC’s Union Square. Reminds me of all the buskers who paint themselves silver and pose for money. I will give it this: it goes nicely with the TGI Friday’s situated across the square. (Photo by C-M. Hat tip to Yvonne.)

Calendar. 07.07.11.


Untitled, 2011, a sculpture made of acrylic and wood, by Barry McGee. Part of the artist’s solo exhibition, New Work, on view at Modern Art in London, through August 13. (Image courtesy of Modern Art.)

First of all: R.I.P. Cy Twombly. A nice obit by Randy Kennedy in the New York Times. Plus: Jerry Saltz’s tribute, complete with reference to his own cock.

Blobarrific: Anish Kapoor at the Grand Palais in Paris.

Leviathan, 2011, by Anish Kapoor, at the Grand Palais, through June 23. (Photos by Vincent Desjardins. With a hat tip to Yvonne Connasse.)

The banality of public monuments: Miguel Andrade Valdez on Lima.


Untitled – Monumento Series, by Miguel Andrade Valdez.

Not wanting to ever be accused of producing timely coverage on this blog, I wanted to take a minute to ruminate on a video by Miguel Andrade Valdez I saw in Galería Revolver‘s booth at the Armory Show last month. It dovetails perfectly with my current Peru obsession, as well as my continuing interest in supremely absurd public works. In fact, recently, I’ve been immersed in photographer Mario Silva’s book Lords, Pyramids and Replicas: Images from the North Coast of Peru, in which he chronicles the influence of pre-Columbian art in contemporary architecture. If you’re into vernacular everything, his book is an absolutely stunning documentation of blended styles and motifs — from Moche forms to graceful Art Deco to that school of design a friend of mine lovingly refers to as “the South American bizarre.” Plus: it contains a two-page spread on bizarre traffic circle sculptures in northern Peru.

Which brings me right back around to the Armory: Andrade Valdez’s video Untitled – Monumento Series is a chaotic, rapid-fire visual compendium of the monuments that occupy Lima’s traffic circles and pedestrian malls. They range from the forgotten to the futurist, the Spanish Mediterranean to the brutal, the Modernist to the I-don’t-know-what. (Check out the weird blue things at about 2:50. They re-emerge later in the video as well.) Interestingly, in looking at all of this, the trapezoid emerges as a very popular shape — perhaps because it’s cheap and easy to construct (and resistant to earthquakes), perhaps because it’s a common motif in pre-Columbian Peruvian architecture. Also popular: brutalism. Of all of the monuments shown, my favorite have to be the bizarre pipe organ thingies, shown in the image above, which appear to be a decorative collaboration between various Soviet bloc architects and the guys in charge of the local water authority.

If you’re into all things design, consider watching Andrade’s video more than once. He has turned up some amazing stuff — a fantastic tribute to all of the things in our landscape we might see but rarely take the time to examine.

Find Miguel Andrade Valdez’s website here. Special thanks to Carlos Díaz at Ojjo for the tip on Mario Silva’s book.