
xox, C-Mon + Celso (with apologies to William Holden)
Where High Gets Low.

William Powhida and Jennifer Dalton organize a month-long lab — and I’m part of it. (Image courtesy of Winkleman Gallery.)
Needless to say, the last few months in the art industry have been highly entertaining. There was William Powhida’s Brooklyn Rail cover last November, which picked apart the internecine machinations of a buncha high-powered types at the New Museum. Then, there was the announcement that a major commercial gallerist has been named director of a super mongo museum in L.A., an institution whose obscenely-rich trustees saw fit to spend its endowment into the ground. And then, of course, there’s Jerry Saltz’s Facebook, which is keeping the art establishment’s hairs on end wondering who the heck he’s gonna call a ‘dick’ next. In other words, there’s been a LOT going on. And most of it doesn’t make a lick of sense.
Which means that #CLASS — a think-tank about the art industry — organized by artists Powhida and Jennifer Dalton and hosted by the Winkleman Gallery, couldn’t come at a better time. This special project will turn the city’s artistic gaze from its navel to the art industry through a month-long series of events that will include a raft of insightful happenings: guerrilla gallery tours, frank Q&As with established art dealers, work sessions, panels, beer-drinking, chalkboard-writing, art-shredding, motivational speaking and even art yoga (led by me). In other words, the plan is to terrorize Chelsea for a month. (I’m not positive that this is indeed the plan, but it’s certainly my plan.) The best part: anyone is welcome to be a part of this. And it’s all FREE.
You can find the entire schedule of events at the dedicated #CLASS website. But here is just a taste of what’s to come:
There’s much much much much more going on, and it’s all listed HashTagClass, so get over there already. Plus, you can read more about it at Art in America and the Wall Street Journal. Update: And ArtNet!!

Here’s a story you’ll never see on C-Monster. And thank god.
If you’ve been reading C-Mon for the last 24 hours, you know that the L.A. Times just debuted a brand spankin’ new arts and architecture blog called Culture Monster, which needless to say, smarts. In thinking about the whole ridiculous situation this morning, I realised that either one of two things happened:

Culture Monster, the L.A. Times’s new blog.
Proving that there’s no such thing as an original idea, the L.A. Times recently debuted an arts and architecture blog called, ahem, Culture Monster. It’s been around for approximately five minutes.
I mean, really, people. I know you’re just hoping to ride C-Monster’s coattails out of dead-tree obscurity, but did you have to be such flagrant biters? I’ve been toiling for more than a year now. I’ve even covered stuff in your home turf. So, don’t even try to tell me that you didn’t know C-Monster.net didn’t exist. Besides, my Statcounter tells me that there’s someone over there at the Times who Googles “C-Monster” on a semi-regular basis and then reads the blog. And I’m sure it’s not the mail guy, because if you’re anything like the rest of print media, corporate has already fired them all.
All I know is that if this isn’t remedied somehow, I’m gonna go all Sarah Palin on your asses. And you guys are gonna be the moose.
xox, C.
Unfortunate discovery made via Modern Art Notes.