Tag Archive for 'lima'

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Lima, Day 19: Crumbling Modernism.


The Cine Tauro: Musta been something in its day. (Photos by C-M.)

Lima is not kind to its buildings. The city spends half the year moistened by a persistent fog known as garúa, under skies that look like styrofoam. There’s dust: a pervasive influx from from the surrounding desert, mixed with the soot produced by an endless parade of smog-belching buses. And there are regular earthquakes, end-of-the-world affairs that regularly clear patches of the grid.

Even so, the city retains some striking Modernist buildings. Even if, sometimes, they are little more than a shell. Above is the Cine Tauro, designed by Walter Weberhofer in 1960, residing on a grimy corner on the west side of downtown. This was where stylish limeños once came to see the latest releases, before heading off to El Chinito for over-stuffed sandwiches. The country’s economic crisis in the 1980s (aided and abetted by the internal conflict) sent the locals running for the suburbs. Now the Cine Tauro is a decaying porn palace, a spot where solo men pop in for a skin flick and a hand job. (Though, two years ago, artist Sandra Nakamura did use a piece of the sign as part of a temporary gallery installation.)

As the city works on restoring its downtown, it’d be nice if they didn’t forget about structures like this. Neo-colonial is nice. And it’s great to see the areas around the main plazas looking spiffy. But how rad would it be to catch a flick in this building? Preferably without getting stuck to the seat.

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Remembering Peru’s Internal Conflict: Yuyanapaq, at the Museo Nacional in Lima.


Celestino Ccente, a campesino from the region of Ayacucho, after being treated for machete wounds received during an attack by Sendero Luminoso, 1983. (Photo by Oscar Medrano.)

There are exhibits that hit you in the gut like a sucker punch. Yuyanapaq: Para Recordar, at the Museo de la Nación in Lima, is one of them. Located on the 6th floor of the museum, a Soviet-style concrete bunker that lords over Avenida Javier Prado Este in San Borja, the show was put together by the Peruvian Truth & Reconciliation Commission. It explores the 20 years of violence, beginning in 1980, suffered primarily by poor campesinos throughout the country during what is euphemistically described as Peru’s “internal conflict.” 

It’s difficult to sum up in a few sentences what exactly happened during that period. Like so much of Peruvian history, it is a fantasmagoria of violence and obfuscation. The conflict was a protracted struggle between two leftist insurgency groups — Sendero Luminoso and the Movimiento Revolucionario Túpac Amaru (MRTA) — against the Peruvian government, which had little idea how to manage a guerilla war. Caught in the middle were tens of thousands of poor campesinos, who suffered massacres, torture and disappearances at the hands of the heavy-handed national police, in addition to the regular bouts of terror inflicted by the insurgency groups. (Sendero Luminoso in its later days was particularly renowned for its bloody tactics, especially against union leaders and other activists.) An exact death toll will never be known. Some estimates are as high as 70,000.

The exhibit, which consists primarily of black and white photography from throughout the era, was first staged by the Truth & Reconciliation Commission beginning in 2003 and has been housed at the Museo de la Nación since last year. It is absolutely breathtakingly riveting. If you’re anywhere near Lima, this is an absolute must-see.

Museo de la Nación, Javier Prado Este 2466 in San Borja. Tuesday through Sunday from 9 a.m. to 5 p.m. Admission is free.

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Kick ass: Moche art at the Museo Rafael Larco Herrera in Lima.


Captured warriors are sacrificed on a Moche vessel, crafted at some point during the civilization’s apogee from 1 to 800 A.D. (Photo C-M.)

At this point, I feel confident in letting everyone know that if you come to Peru and don’t make a significant pit stop of at least three days in Lima, you are seriously hurting. Among the incredible sights: the Museo Rafael Larco Herrera, which has a spectacular collection of ceramics from various pre-Columbian Andean civilizations, most significantly the Moche, a culture renowned for their incredible portrait vessels. Think: Roman sculpture of the Americas.

The best part (in addition to the lovely on-site restaurant that serves a highly recommended ceviche) is the separate room that contains a trove of Moche erotic pottery — as in, lots of sculptures of people humping. My tour through the erotic gallery was heightened by a fellow traveler from Italy who spent the entire visit alternately exclaiming ‘Mama mia!’ or laughing nervously.

The museum is open seven days a week from 9:00 a.m. to 6 p.m.

Also: You can follow my Peruvian adventures on Twitter. Or check in with my buddy @hchuaeoan, who is Tweeting away about everything he puts in his mouth. I won’t say what.

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Lima, Day 7: Monsters on the loose.


On Nicolás de Pierola in downtown. (Photo by C-M.)

Update: Just learned that this piece is by Seimiek.

Narchitecture, Chino Latino edition.


Restaurante Royal. (Photo by C-M.)

Neo-classical silhouette? Check.
Garish color palette? Check.
Acres of reflective glass? Check.
Italianate balustrades? Check.
Fu lions? Check.
Narchitecture has been achieved.

Lima, Day 6: The Inquisition. What a show!


Best. Museum. Ever.

Paul McCarthy wishes he could one day be as freaky as whoever created the installations for the Museo de la Inquisición in Lima, where various displays detail the ways in which humans can inflict pain on each other. It’s a tiny exhibit. (Peruvians weren’t diehard inquisitors, disposing of only 271 “heretics” during the 16th and 17th centuries — compared with the more than 100,000 in Germany during roughly the same period.) But it’s highly entertaining. Particularly if you’re an eight-year-old boy.

The museum is located on the Jirón Junín 548, on the Plaza Bolivar. Admission is free.

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Lima, Day 3: Peru meets the Bellagio.


This would be the moment in which El Condor Pasa began playing on the loudspeakers. (Photo by C-M.)

I’m a sucker for any tourist attraction that pairs the ability to admire the latest in tourist-wear (god, do I love those zip-off pant-shorts) with any visual spectacle that makes you say, “Duuuude.” Which is why I’m a sucker for Lima’s Circuito Mágico del Agua, a water spectacle situated in a park near downtown that draws locals, tourists and everyone in between to ogle a dozen brightly-lit fountains. It has water, it has lasers, it has theme music, it even has narchitecture

The best fountain was the 120-meter long “Fuente de la Fantasía,” above, which puts on a regular 20-minute water show, complete with lasers, projected images, video and one of the most spectacularly bizarre musical medleys I’ve ever heard in my life: it included jazzed up Peruvian waltzes, a snippet of Back Street Boys, some Abba, a good bit of Manuel de Falla’s El amor brujo and an electro-muzak rendition of Queen’s We Will Rock You. The whole mess ended, naturally, with Beethoven’s Ode to Joy. It’s a terrifically excessive display for a desert city that is encircled by a ring of crushingly poor shanty towns bereft of services like…running water. But if you want to see something that makes Vegas look almost tasteful, then the Circuito Mágico shouldn’t be missed.

The fountains are located in the Parque de la Reserva, just off of Avenida Arequipa and are open daily from 4-11 p.m. Admission S/.4 (about $1.30).

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Lima: Day 1.


Graffiti in el sanjón. (Photo by C-M.)

Slept in. Devoured super sized order of papas a la huancaína. Followed by mongo helping of chirimoya a la huandeña. Have located the most excellent churros. And cooked my brand new power convertor and surge protector on Peruvian electricity. Yay, Lima.

Over and out.


Inca Kola truck in Lima. (Photo by Impact Tarmac.)

Hey Folks:

I’m off to run around one of my motherlands for several weeks to nibble on ceviche, devour anticuchos, gobble aji de gallina and drink as much nuclear yellow soda as is humanly possible. This means that blogging will likely be sparse. But you are always welcome to follow this little adventure on Twitter, where I’ll be filing semi-regular micro-dispatches on food, art, food, history, food, culture and, oh yes…food.

¡Que viva el Perú, carajo!

xox,

C.