Find me over at ARCHITECT Magazine.
Where I take a look at what’s going down with the sprawling MOCA architecture show that may be on the verge of being killed — and the architects who’ll be left holding the bag if it is.

Where I take a look at what’s going down with the sprawling MOCA architecture show that may be on the verge of being killed — and the architects who’ll be left holding the bag if it is.

A painting by Zak Smith. From the artist’s solo exhibit, Maximum Everything Always, at Fredericks & Freiser in New York. Opens Thursday, in Chelsea. (Image courtesy of the artist and Fredericks & Freiser.)

Costumes worn by the Nationwide Museum Mascot Project (more about them here). I really dug these as pieces of sculpture.

A photo shows the SFMOMA mascot working the museum’s lobby.

With that crafty basket head and those plaid paints, the MoMA mascot was the design antithesis of its staidly modern namesake. (And way freakier than the museum’s Martin Kippenberger.) Would pay cash money to see this one wandering around the museum’s architecture gallery.

The MOCA mascot. The cardboard sign is a nice touch.

Plus: Marshall Astor’s Portrait of An Eye. The circle of videos was strangely absorbing (especially the ape playing the drums).
Okay, so I’m embarrassingly late to this exhibit. Unfortunately, it already closed. But if you live in the vicinity of northern Orange County, Cypress College Art Gallery has a student show opening on May 9.

From top: Rolling Thunder (Night for Day), from 2013; a series of sketches; and Waiting for Dawn, 2011.
LAST CHANCE: There is an absolutely stunning show of paintings by Susanna Heller on view at Magnan Metz in Chelsea. The show includes her signature brooding landscapes, but there are also a couple of walls of sketches (worth examining) as well as a suite of works that chronicle her husband’s illness. In these latter pieces, I almost felt as if I could smell the rubbing alcohol and hear the blip of the heart monitor. The machinery in these images seems to have a disconcerting life of its own. I simply couldn’t look away.
The works are absolutely staggering for their intensity, intimacy and visual punch. Do not miss this show.
Susanna Heller, Phantom Pain, is on view at Magnan Metz through this Saturday, April 20.
Only the best art video…ever. (Via Hyperallergic.)

MoMA to the American Folk Art Museum: Drop Dead. (Photo by Dan Nguyen/Flickr.)
This week’s awesomeness: 323 Projects, a gallery that’s nothing more than a phone line. This month and next, you can can dial in and get a few things off your chest to a close friend or family member — all courtesy of the artists JEFF&GORDON (that’s them, top left).
My story is now up at KCRW. Please click through! Find 323 projects here.

A work in progress by Michael Ballou. Part of the artist’s solo exhibit Raw/Cooked: Michael Ballou, at the Brooklyn Museum. Opens Friday. (Photo by Pierce Jackson.)