Roman copy of a 5th Century BCE Greek bas relief depicting Hermes, Orpheus and Eurydice, from the Museo Arqueologico Nazionale in Naples. (Image courtesy of Skidmore.)
A Visit From the Goon Squad, by Jennifer Egan. Page 214 (from the first Anchor Books edition):
He sensed the proximity of the Orpheus and Eurydice before he saw it, felt its cool weight across the room but prolonged the time before he faced it, reminding himself of the events leading up to the moment it described: Orpheus and Eurydice in love and newly married; Eurydice dying of a snakebite while fleeing the advances of a shepherd; Orpheus descending to the underworld, filling its dank corridors with music from his lyre as he sang of his longing for his wife; Pluto granting Eurydice’s release from death on the sole condition that Orpheus not look back at her during their ascent. And then the hapless instant when, out of fear for his bride as she stumbled in the passage, Orpheus forgot himself and turned.
Ted stepped toward the relief. He felt as if he’d walked inside it, so completely did it enclose and affect him. It was the moment before Eurydice must descend to the underworld a second time, when she and Orpheus are saying goodbye. What moved Ted, mashed some delicate glassware in his chest, was the quiet of their interaction, the absence of trauma or tears as they gazed at each other, touching gently. He sensed between them an understanding too deep to articulate: the unspeakable knowledge that everything is lost.