Tagged: #class

Art Yoga. And the very many cool happenings at #CLASS.

The Art Yoga tribute to Marina Abramovic: Yoga in lab coats. Later, we sat around and stared at each other. (Screengrab taken from the live webstream.)

There’s all kinds of goodness going down at #CLASS this weekend and in the coming week, starting today with a panel on the art world’s shade of pale, organized by An Xiao, the motivational stylings of Rod Verplanck, and through the weekend, with working sessions and a contemporary art wake. This will be followed, mid-week, by balloon-popping with Man Bartlett, a feminist tea party with Suzanne Stroeb and Caitlin Rueter, a merciless Q&A with art dealer Magda Sawon of Postmasters, and a lecture, on Friday, by Yevgeniy Fiks, on Communist Modern Artists in the Art Market.

I attended Fiks’ fascinating guerrilla tour of MoMA early this week, in which he led us through a number of the works in the permanent galleries created by communists and sympathizers. (See my Tweets from that event here.) The history nerd in me (I have a thing for Cold War-era politics) was totally loving it. You can see reports on the tour at Bloggy and jameswagner.com. Fiks’ totally wonderful Russian accent just brings it all together.

Find a full schedule of events over at the official website. And I’ll see you in #CLASS.

Bow to the Art Industry: Art Yoga with C-Mon, this Friday at 2pm.

Bend over backwards for the sake of your budding career. (Photo by gadgetgirl.)

If you are in desperate need of a yoga class and a few art gags, please join me this Friday, March 5th at 2pm at the Winkleman Gallery for the first (and probably only) session of Art Yoga With C-Mon, part of #CLASS.

Get body and mind ready to navigate the spiritual and physical hazards of working in the art industry with this 75 minute yoga class geared at those who want to re-contextualize the nature of liminal space while doing core-strengthening exercises that will keep them lithe enough to be considered for art/fashion spreads in T Magazine. We will begin with sun salutations to performance artist Marina Abramovic and do spiritual readings from the pages of  ArtForum.

Jokes aside: This will be an honest-to-goodness hatha vinyasa yoga class (yoga with flow) — with plenty of artsy twists. (I am a trained yoga teacher: Om Yoga Center, 2003.) So, if you’re a starving artist type and want a FREE, fun yoga class (or you simply want to cleanse your mind and body after attending all those dirty art fairs), please come!!

Please arrive promptly at 2pm. Bring a mat and wear comfortable exercise clothes. This class is open to all levels. First come, first served.

Art Yoga With C-Mon
Winkleman Gallery
621 W. 27th Street (btwn 11th & 12th Aves)
Friday, March 5th @ 2pm sharp

#CLASS is organized by William Powhida and Jen Dalton.

How galleries are like hospitals. Or what I learned in #CLASS.

Spotted during the #CLASS tour of Chelsea with William Powhida. (Photo by C-M.)

Last Saturday, I joined a merciless gang of art nerds for a gallery tour of Chelsea led by artist William Powhida as part of the month-long series of events known as #CLASS at Winkleman Gallery. For the course of a couple of hours on a chilly afternoon, we inspected galleries all over Chelsea, looking not at the art, but at the galleries themselves. We studied spaces where the owner sat front and center, and others where management retreated to private offices beyond a partially-hidden elevator. Some galleries seemed downright residential (hello, couch art!), others felt like palatial mini-museums. We also analyzed how easily information was made available to the general public: as in, were price lists, press releases and artist statements front and center? Was there wall text? Or did viewers need to go begging for crumbs of information from a disaffected-looking gallerina? It was a fascinating anthropological expedition.

Afterwards, as I chatted with my fellow #CLASSmates (thank you, Barry), I realised that galleries bear an uncanny resemblance to an institutional space of a different nature: hospitals. The likeness, in fact, is downright unnerving.

Galleries and hospitals both…

  • …have lots of blank walls occasionally dotted with art of a questionable nature.
  • …are staffed by front desk employees who are willfully unhelpful until they’ve determined your ability to pay.
  • …are populated by individuals who look nervous and unsettled.
  • …are filled with unforgiving bright lights.
  • …feature dour-looking people in austere uniforms.
  • …are bare to the point of frigidity.
  • …have waiting areas stocked with odd magazines.
  • …smell funny.

Don’t believe me? Here’s a visual comparison:

From left: Hospital, gallery. (Images courtesy of pol ubeda and Marshall Astor.)

Get Ready to Shred. And many other happenings at #CLASS.

Ready to go all Ollie North on your art and other meaningful pieces of paper. (Image courtesy of Steve and Jaime at Brooklyn Street Art.)

There is all kinds of goodness going down at the #CLASS show at Winkleman Gallery in the coming week and I’m hoping you join us. On Saturday (as in tomorrow), William Powhida will be leading a gallery walk/slush in Chelsea, Mira Schor will be reading from her essay On Failure and Anonymity and blogbuds Barry Hoggard and James Wagner will be talking all about collecting. On Sunday, there will be hanging out, Battleship and artsy talk in Second Life. And, next Wednesday, at 2pm, I will be assisting my partner-in-crime, El Celso’s performance of Art Shred, in which he will dispose of several dozen works of  art, meaningful love letters and one-of-a-kind family photos. If you haven’t submitted anything for shredding, no worries: walk-ins are welcome. I’ll personally be disposing of a raft of love letters from someone who I once had a kind of intense mind-meld with. Yes, it will be wrenching to see them destroyed.

Plus, a list of other #CLASS related projects and information:

Plus, a small video preview for Art Shred:

Get motivated for #CLASS.

If only all art press releases could be this unbelievably awesome. These are the images that came through with Schroeder Romero & Shredder‘s announcement detailing the motivational speaking of Rod Verplanck CSP. Some of the text from the release:

This extraordinary live event will entertain you, challenge and transform you. Let his words of inspiration give you the tools you need to make it to the top of the Contemporary Art World. He will teach you how to “seize the day!” by acting on every passing impulse no matter how trivial or unkind, in order to unlock the suprising power in your self importance. Step by step, he will lead you to contemporary art’s Holy Grail.

This sounds like a must-see. Plus, it weirdly makes me want to get an ear piece and pretend I’m holding a baby. Catch him at #class at Winkleman Gallery on Saturday, March 6th at 6pm.

Get some #CLASS: Take on the art industry at Winkleman in NYC, starting Sunday.

William Powhida and Jennifer Dalton organize a month-long lab — and I’m part of it. (Image courtesy of Winkleman Gallery.)

Needless to say, the last few months in the art industry have been highly entertaining. There was William Powhida’s Brooklyn Rail cover last November, which picked apart the internecine machinations of a buncha high-powered types at the New Museum. Then, there was the announcement that a major commercial gallerist has been named director of a super mongo museum in L.A., an institution whose obscenely-rich trustees saw fit to spend its endowment into the ground. And then, of course, there’s Jerry Saltz’s Facebook, which is keeping the art establishment’s hairs on end wondering who the heck he’s gonna call a ‘dick’ next. In other words, there’s been a LOT going on. And most of it doesn’t make a lick of sense.

Which means that #CLASS — a think-tank about the art industry — organized by artists Powhida and Jennifer Dalton and hosted by the Winkleman Gallery, couldn’t come at a better time. This special project will turn the city’s artistic gaze from its navel to the art industry through a month-long series of events that will include a raft of insightful happenings: guerrilla gallery tours, frank Q&As with established art dealers, work sessions, panels, beer-drinking, chalkboard-writing, art-shredding, motivational speaking and even art yoga (led by me). In other words, the plan is to terrorize Chelsea for a month. (I’m not positive that this is indeed the plan, but it’s certainly my plan.) The best part: anyone is welcome to be a part of this. And it’s all FREE.

You can find the entire schedule of events at the dedicated #CLASS website. But here is just a taste of what’s to come:

  • Sunday, Feb. 21, 4pm: The party gets rolling this weekend, so peel your ass off the couch and get down to Chelsea for the first official #CLASS social. An Xiao will serve as social media paparazzi paparazzo. :-p
  • Friday, Feb. 26, 6pm: A session on Bad Curating by Stamatina Gregory and Jovana Stokic. (I believe that attendance is required if you work at the New Museum.)
  • Saturday, Feb. 27, 2pm – 6pm: All kinds of juicy stuff is going down on this day, including a guerrilla gallery tour being led by William Powhida and a how-to on collecting by blogbuds James Wagner and Barry Hoggard.
  • Sunday, Feb. 28, 5pm: Debbie Ainscoe leads a session in Second Life — from the UK. Nerdarrific!
  • Wednesday, March 3, 2pm: ART SHRED is an on-site shredding service that will help artists and other participants liberate themselves of important works of art, meaningful love letters and one-of-a-kind photographs.  This session will be led by my partner-in-crime, Celso. If you have something of consequence that you would like to have shredded, e-mail him at celso[at]elcelso[dot]com. Walk-ins welcome.
  • Thursday, March 4th, 4pm: A discussion/rant/12-step program about art school and the ivory tower, organized by Sharon L. Butler.
  • Friday, March 5, 2pm: Art Yoga with C-Mon: Bow to the Art Industry. Get body and mind ready to navigate the hazards of the art world with a 75 minute yoga class geared at those who want to re-contextualize the nature of liminal space while remaining lithe enough to be considered for possible art/fashion spreads in T Magazine. Class will be led by yours truly, a certified yoga teacher (Om Yoga Center, class of 2003 — seriously). The session will begin with sun salutations to Marina Abramovic and quickly spiral downwards from there. Bring a mat and an open mind. Class capacity 18; first come first serve. Later that same evening, at 6pm, artist Nic Rad will present his ‘Celebritist Manifesto,’ a defense of celebrity culture that will make clear that James Franco is the most important artist of the decade.
  • Saturday, March 6, 6pm: Rod Verplanck, a motivational speaker who, among other things, will teach you that “the very smallness of your ideas is the key to wild success.” Sounds like a must-do. (Courtesy of Schroeder Romero.)
  • Wednesday, March 10: Again, all kinds of good happenings will occur on this day, including balloon-popping with Man Bartlett, a kindergarten class tour of Chelsea with Jennifer Dalton, a feminist tea party and a merciless ask-the-dealer session with Postmasters gallerist Magda Sawon in which she vows “to truthfully answer any and every question posed to her as long as it does not involve her weight, social security number or other people’s money.”
  • Wednesday, March 17, 4pm: Art World as High School. Which class of retainer-wearing nerd are you? Find out with this helpful and informative session.
  • Saturday, March 20th: Another full roster on this day, including art gift wrapping with Zoe Sheehan Saldaña, assessing assessments with important-sounding people from Princeton, and a closing-night event that’s all about ranting!!!

There’s much much much much more going on, and it’s all listed HashTagClass, so get over there already. Plus, you can read more about it at Art in America and the Wall Street Journal. Update: And ArtNet!!