The architectural cognoscenti have long hailed Miami for its treasure trove of Modernist and Art Deco buildings. But like Los Angeles, Tijuana and the outskirts of Cali, Colombia, the city is also home to a flourishing, lesser-known school of 20th century architecture known as “narchitecture”—buildings that look as if they were commissioned by drug dealers. (For the record: it is my esteemed colleague, Rosa Lowinger, who baptized this important, if unheralded, movement.)
Narchitecture is the pit bull of architecture. It grabs you by the (eye) balls and doesn’t let go, marrying a bevy of Mediterranean styles—neo-Classical, Spanish Revival and Fascist—with the vernacular American school known as Contemporary McMansion. The structures are big, overly-decorous and unabashedly gaudy, and, in their placement, show a complete disregard for their environment. The style veers heavily towards the monumental and its decorative motifs include Spanish tile, Roman-style arches and lots and lots of Italianate columns. It is an architecture that says, “Look at me. But don’t ask what I do.”
If you’re in town for Art Basel, don’t miss an opportunity to get on a boat and see Miami’s many fine examples of residential narchitecture.
Herewith, a visual tour (click on the photos to view them large):
Make it big: What narco would be caught dead in a simple, five-room cottage? In narchitecture, size definitely matters.
Narchitecture takes facets of Classical architecture and pumps up the volume. Why let just one Corinthian column do the job when you can have clusters of four?