Richard Serra, Hand Catching Lead, 1968. Around the time Serra created this video, he had compiled this verb list, which he went about illustrating through his art. The whole exercise was about material and the body meeting in one simplified action or process. Questions of identity, motive, or emotion are completely separated from this work. It’s simply a hand and a verb.
I recently organized a show of new media works, and realized that my series of short photo essays exploring the human figure in contemporary art was missing a new media presence. With this in mind, I focused my attention towards those dark rooms designated for video art in museums in Beacon, Indianapolis and New York City. Here’s what I found:
Francis Alÿs, Tornado. Part of Alÿs’s solo show at MoMA, A Story of Deception (which is up through August 1). I was taken by photographs of this video so I was excited to finally see the work in person. The video includes footage of Alÿs viewing the tornado from a safe distance, as well as intense shots by him as he runs right into the heart of the storm. Watching the artist’s tiny figure facing down these huge desert dust-devils might seem pointless and painful. But there’s something poetic about it, too — the lonely figure of a man chasing down something profoundly beautiful, powerful and dangerous.